Rieux Font Family - 6 Fonts $150

http://www.myfonts.com/fonts/matteson-typographics/open-serif/

OPEN SERIF - answering the question “what font pairs well with Open Sans?”. Designed by Steve Matteson for extraordinary legibility and comfortable reading on screen and in print. Open Interpretation: Not quite Veronese – not quite Egyptian. A dash of panache in an otherwise sturdy serif typeface. Open Serif is an elegant text and display typeface family. Open Interiors: Visually open and legible at text sizes just like its cousin Open Sans. Open Serif reads smoothly but has an energetic texture. The chancery style italic contrasts nicely to the roman in a full bodied nod to Italian Renaissance forms. Open Type: Open Serif is full of OpenType features including Small Capitals for the Roman, Italic Swash Capitals and Old Style Figures for both. Open Translation: Supporting all the languages available in Open Sans, Open Serif completes the translation capabilities of international companies. Extended text is more pleasant to read in a serif typeface so go global with a unified typeface family! Open Face: Open Serif Titling is an elegant companion to round out the family. These ‘open-face' capital letters are ideal for initial letters, mastheads, titles and decoration.

OTF | 12 Fonts | + JPG Preview

CM 763510 - Ghisella

Ghisella is a interconnected font with beautiful welded letters. The font contains beautiful smooth and elegant letters and is great for creating cards such as wedding invitations and birthday cards but also can be used to create beautiful signs and decorate various items. This dynamic font comes with a sister font: Ghisella Two. Ghisella Two is a basic font with huge letters. Both fonts are compatible with Cricut Design Space and Silhouette Studio. The font is PUA encoded and can be used with Windows Character Map and Mac Font Book. Obviously the fonts also work with Adobe Photoshop, Illustrator, MS Word, Publisher and many other applications. Also supports in program, Adobe IllustratorCS, Adobe IllustratorCc, Adobe Photoshop, Adobe InDesign, Corel Draw X version, Microsoft Word.

Acherus Grotesque Font Family - 16 Fonts $180

Gordis Font Family - 6 fonts: $125.00

http://www.myfonts.com/fonts/kontour-type/odile/

Odile is a text typeface with bracketed head and bracket-free bottom lower case serifs, a quality that counters rigidness most traditional slab serif typefaces possess. This contemporary design draws inspiration from an experimental typeface named Charter originally designed by the American book and type designer William Addision Dwiggins. It consisted of an informal lowercase alphabet, a narrow seemingly non-inclined vertical letter with script attributes, featuring non-joining letterforms. Dwiggins’ contemplated Charter as the italic companion to Arcadia, Experimental No. 221. The Charter project progressed sporadic stalled during the Second World War and came to a halt in 1955. Charter remained incomplete and was never commercially released. Assessing Charter’s whimsical design, its fragments were rethought and developed into a comprehensive text family. Odile Upright Italic reveals recognizable similarities shared by Dwiggin’s Charter and defines the design approach for the family. The steep calligraphic outstroke and low junctions off the stem as in the upright italic “n” or “r”, for example, are gradually lessened in the italic and moved up for the roman weights. The six optically balanced weights range from the delicate Light to stark Black, accompanied by display variants with feminine flair and ardent Ornaments. Two sorts of Initials, one amplified with interweaving swashes, the other more restrained, both are clearly derived from the Upright Italic. This mid-contrast serif offers a wide range of tools for text and display typographies with a palette of strict to playful. This family shines in magazine, book and display use. The graceful serifed type harmonizes perfectly with Elido, Odile’s sans companion. Sans and serif share the family array and OpenType features in perfect tune. Odile offers an extensive character set, numerous OT features including roman and italic Small Caps, five sets of numerals, alluring ligatures, and many more. OT stylistic variants (with accents) offer a one-story “a” for the roman weights, alternate “g” and “s” designs for the italics, and a variant “s” for the Upright Italic.

OTF | 8 Fonts | + JPG Preview

CM 866424 - Mishall Typeface

Mishall Typeface a vintage typeface. Suits best for any vintage themed designs, logo, headline, letterhands tshirt, apparel etc.

• Over 124 glyps

• Bonus 16 vector

• Bonus grunge vector

Proudly presenting this typeface inspired by the classics DIN, Eurostile and a dash of Futura. Perfect for prints, t-shirts, posters and such.

HTML, OTF | 348 KB

https://creativemarket.com/daniel.feldt/765649-Frank-Display-and-signage-typeface

Modern ink Alphabet font. Letters painted with brush in modern calligraphy style. All Capital letters.

AI, JPG | CC+ | 2 MB

https://creativemarket.com/Supermne/706609-Long-brush-alphabet.

Mental Rounded - 6 Fonts $45

https://www.myfonts.com/fonts/psyops/haru-nami/

HaruNami (“spring wave”) fuses Japanese ornamentation with the Roman alphabet. All the motifs in the typeface are based on traditional Japanese wave ornamentation. HaruNami has a unique stylistic system that ranges from Simple to Ornate. The Simple font is a purely functional sanserif that is ready to use as text type. The three other styles, Decorative, Embellished and Ornate, progressively apply the wave ornamentation to the capital letters. HaruNami Complete ships as a unified OpenType font, and as a set of individual fonts. If you're using an application that supports OpenType features, we recommend using the Unified font. The three decorated styles will be accessible as feature sets. Otherwise, you can install the individual fonts and use them in any application. (It is also all right to install the Unified and individual fonts simultaneously.)

OTF | 4 Fonts | + JPG Preview

http://www.myfonts.com/fonts/rosetta/aisha/

Aisha originated from research about the Maghribi script – its regular Arabic weight is based on the foundry type Titus discovered in a 19th century book. In the process of design Titus reinterpreted the sources within the framework provided by current usage and technology. He developed a Latin face to accompany the Arabic, drawing both as independently usable, yet closely related typefaces. The Latin version of Aisha is one of the designs where the style of the Arabic version shaped the direction for the Roman letters, rather than the other way around. Drawing on research around Maghribi calligraphy, and inspired by expressive Moroccan lettering, the resulting designs feature generous curves and joyful variations, rendering Aisha a historically informed typeface for contemporary requirements, with a wide range of weights in both Arabic and Latin.

OTF | 8 Fonts | + JPG Preview

Tidy Script Font Family - 4 Fonts $99
OTF
Tidy Script is a cursive-style constructed sans. Almost all letters in the fonts connect. The typeface is inspired by engineering letters and obscure typewriter faces. Tidy Script’s letter structure is based on handwriting. Characters each have mild slant; about 7?. Counterforms are large, and the capitals are more decorative than the lowercase. When using Tidy Script, make sure to switch on the OpenType Contextual Alternate and Ligatures features. That way, you’ll have automatic access to the dozens extra glyphs in each of the fonts.
http://www.myfonts.com/fonts/indian-type-foundry/tidy-script/

Figgins Standard Font Family - 13 Fonts
OTF
To meet the burgeoning demands of commerce, type founders in 1830s London introduced a plethora of new fonts which abandoned the traditional nib-informed model. Most radical were bold, capital-only designs with almost no stroke contrast, stripped bare of serifs. To all intents and purposes these minimal expressions of utility were identical to 20th century functionalism. Recontextualizing one of the original sans fonts, Shinn offers an alternative proposition to the myth of modernism.
http://www.myfonts.com/fonts/shinn/figgins-standard/