Introducing Portland Slove font. Are you looking for a bold vintage decorative font that has a western feeling? We can help! Try to download our Portland Slove font. The font is suitable to use for many vintage related occasion such as product, branding, invitation, banner, movie title, brand, event, and many more :)
OTF | TTF
AVESTRAVA PLAIN is a family of letters from Avestrava. This is a Blackletter without hooks, and it is possible to make body text and look interesting too when you add tracking. In addition to being vintage, Avestrava Plain is a clean font. Of course it will be very suitable for your tattoo studio business, such as for making a logo or tattoo design. In addition to supporting the design of your tattoo studio promotions such as business card designs, posters, flyers, brochures, t-shirts, stickers, even very good if applied to your social media such as the design of Instagram stories, Instagram posts, your website etc.
OTF | TTF
A Million Dreams is cool, retro and fun display font. This font is PUA encoded which means you can access all of the glyphs and alternates with ease! It will look great on headlines, magazines, logos, branding and so much more!
ALEVANTRE is a tattoo style script, of course it will be very suitable for your tattoo lettering design. It is also very suitable if you want to make your tattoo studio logo using this font.
OTF | TTF
Introducing our new font Killarney. A bold and heavy display font that inspired by the vintage/classic letterforms used in old-advertisements.. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its square and blocky letterforms make Killarney a great for headlines and space killer. Available in slanted version too, gives you more options too play with. Suits best for title/headline, logo/logotype, packaging/label designs, etc.
OTF | TTF
Brioche is a gorgeously handlettered serif font with an incredibly rustic charm. It had a very down-to-earth feel, and will add a nostalgic touch to any creative idea!
Sunpalm Addict | Modern Calligraphy
Sunpalm Addict is a stylish modern calligraphy font. It’s containing upper & lowercase characters, all punctuation and numerals. Also contains 85 ligatures to help the text flow naturally For those of you who are needing a touch of elegance and modernity for your designs, this font was created for you! We give you illustration bonus to make your design look more beautiful. Sunpalm Addict is great for Invitations, Greeting Cards, Posters, Name Card, Quotes, Blog Header, Branding, Logo, Fashion, Apparel, Letter, Book, Magazine, Advertising Design, Stationery and more!
Broken Mirror Sans Serif Font crisp edges and modern touches. Perfect for any modern-design including logo, branding, posters, branding, logos, headlines, high fashion.
OTF | TTF
https://www.myfonts.com/collections/segment-a-type-font-kobuzan
Segment A is a powerful display type family with 18 styles inspired by condensed European grotesques of 19th-century, but with clear geometric proportions. In Black weights, the letterforms are inspired by the aggressive industrial graphic design of the 1960s and 70s. Both have 3 axes and are adjustable in weight, width and 10˚ italic. It is a typeface with narrow proportions, distinctive character, high-quality outline and lots of details. Characters have oblique cuts, sharp tails and highly visible ink traps. All this makes the font more aggressive and edgy. The huge x-height with short ascenders and descenders allows this typeface to be used in blocks with minimal line spacing.
https://www.myfonts.com/collections/megumi-font-schizotype
Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”.
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