Circe is a geometric sans-serif with some humanist features in 6 weights from Thin to Extra Bold. The name of the font derives from both its geometric shapes and artificial, kinky nature. While being clean and simple in its basic form, Circe can become more intricate with its numerous decorative variations of characters, tempting and challenging the designer to use more and more of them and finally -- probably -- making him look foolish like the sailors who got to Circe’s island. Its oversized character set not only allows using Circe for almost all European languages (based on Latin and Cyrillic scripts) but also contains a lot of alternates and swash variants organized in stylistic sets which make the font look in several completely different ways. Circe is good for both text setting in small point sizes and display purposes, such as magazine headlines, posters and so on.
OTF | 6 Fonts | JPEG Preview | 4.4 Mb RAR
Corradine Handwriting Font Family
Corradine Handwriting is based in the handwriting of Manuel Corradine. Its numerous ligatures and stylistic alternatives give to the text a realistic handwriting appearance.
OTF | 2 Fonts | JPEG Preview | 1.2 Mb RAR
Fox Grotesque is another member of the Fox Family and stylistically finds itself between Fox TRF (with some extreme curly lowercase letters), and Fox Sans (a cold geometric sans-serif). While the typeface is intended for use in display sizes, it is also quite legible in text and is well suited for editorials. Fox Grotesque is released in OpenType format with extended support for most Latin languages and includes some opentype features – proportional/tabular, lining/oldstyle figures, slashed zero, ligatures, fractions.
OTF | 12 Fonts | JPEG Preview | 4.3 Mb RAR
Dharma Slab is an antiqued slab serif designed inspired by 1800s-style wood type. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 42 styles will be the best solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, g, r and y has their alternative glyphs that can be available with OpenType salt feature and tabular figures can be available with tnum feature.
OTF | 42 Fonts | JPEG Preview | 5.2 Mb RAR
Beauty Script is a modern interpretation of the classic formal script style. You could notice in it a special feeling due its subtle wavy rhythm to mimic the natural movement of handwritten calligraphy. Because its strong contrast and the fluidity of its traces Beauty Script is ideal to be used as headline in any media related to fashion, beauty, nature, food, pleasure, travel, luxury or wherever you required to express formality and elegance.
OTF | 1 Font | JPEG Preview | 4.5 Mb RAR
Arquitecta. The humanist typography as a rational project. Since the experimentation from the Bauhaus through modern sans history we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text layout and continuous reading. Inspired by American & European hand lettering from the first half of the past century, Arquitecta finds his own space as a great alternative for paragraphs in front of classics like Futura, Kabel or Avant Garde.
The family contains 8 upright romans and 8 italics with the following features:
- European accents, Old Style Numbers, Numerators & Fractions.
- Ink traps to avoid press impressing spots & hinting optimized.
- Small X-height with accentuated ascenders and descenders.
Designed by Daniel Hernández Sánchez y Miguel Hernández Montoya between the months of August and December of 2013.
OTF | 16 Fonts | JPEG Preview | 4.7 Mb RAR
LiebeKlara is LiebeFonts’ most delicious gourmet creation yet. The mouth-watering look of savory swashes and the fine aroma of masterfully sprinkled contextual alternates will make everyone happy—your spouse, family, and friends. LiebeKlara is festive enough to sit on wedding menus, but still warm enough to give everyday dinner invitations the personal flavor they deserve. LiebeKlara also likes travelling! She speaks most Western languages fluently and with a cute accent. Try it for yourself—LiebeKlara is calorie-free but (or because) she is very delicate. We hope you like her as much as we do! LiebeKlara comes with a tasty variety of ligatures and alternative forms available through OpenType features. (Please make sure your software supports OpenType if you wish to use the advanced features.) The font contains over 580 carefully hand-crafted glyphs—so it’s more like two or three fonts in one.
OTF | 1 Font | JPEG Preview | 14.2 Mb RAR
Lavinia is the new hand lettered script font, full of fun calligraphy with 962 characters and a host of specials features that will allow you to add more personality and originality to your work. Lavinia is a seamlessly connecting alphabet. Using OpenType contextual, stylistics alternatives, swatches each lowercase has the minimum ten versions and each capital letter two variants. Also, Lavinia comes with a custom set of standard and discretionary ligatures, lots of goodies ornaments and flourishes, catchwords, tails, words with stylistics alternates, special double letters ligatures. This lovely font has an extended character set to support Central and Eastern as well as Western European languages. Mix and match them for a custom look! You can quickly change the appearance of your design. It’s like getting a lot of fonts for one! Lavinia is perfect for logos, advertising, announcement, invites, thank you’s and correspondence, for packaging, and to create all yours fun and moderns designs you want. There are plenty of options to allow you to create something unique and special. Test it, you will not regret! Have fun with it!
OTF | 1 Font | JPEG Preview | 6.8 Mb RAR
Inspired by Argentina and its culture, Alejandro Paul’s Candy Script captures the country’s spirit. It comes from the tradition of window sign painting, but its thick hand-brushed characters, with alternates for almost every upper and lowercase letter, have a personality all their own. Tons of OpenType alternates included, over 600 characters in all.
OTF | 1 Font | JPEG Preview | 7.1 Mb RAR
Let Bronze Script take you back. Back to the golden age of vintage when hand drawn scripts appeared in every form of publication. A different time when everything moved slower, lettering was done with expertise, and every detail awarded care and attention. In our age of cold digital creations, you can rest assured that Bronze Script will give you that tailor made flare only a nostalgic font can offer.
OTF | 1 Font | JPEG Preview | 1.3 Mb RAR
The 225 glyphs that make “Spina Typeface” are the result of experience with hundreds of drawings, sketches and digital test in seeking to achieve a typeface that represented the fluides of the script’s and elegance of the modern Roman. Thereby, based on this principle and a unique style, a infinitely versatile typeface was designed that evokes both the beauty and finesse of the plants as power its thorns and its deadly poison.
TTF | 1 Font | JPEG Preview | 4.3 Mb RAR
Lulo from Yellow Design Studio is a textured, retro, amazingly 3-dimensional font family. Endless effects can be created by adding different colors to each of the 5 stackable layers. Lulo is all-caps, and has subtle texture variation between the upper and lowercase characters so duplicate distressing in double-letters can be avoided. Other features include regular and bold weights, high-resolution texture that looks great even at large sizes, and extensive language support. Because of its complex outlines, Lulo may process slowly in some applications.
OTF + 10 Fonts | JPEG Preview | 17.9 Mb RAR
Verna is a versatile contemporary font. Verna has a set of automatic ligatures, discretionary ligatures, swash initials and a selection of ornaments that you can easily access in any Opentype savvy program. Ornaments are placed in stylistic set 1 letters a-z but you'll also find them from the glyph panel.
OTF | 1 Font | JPEG Preiew | 4.4 Mb RAR
Burgues Script is an ode to the late 19th century American calligrapher Louis Madarasz, whose legendary pen has inspired schools of penmanship for over 100 years. His talent has caused some people to call him “the most skillful penman the world has ever known.” I use the word ‘ode’ in a colloquially ambitious manner. If I was an actual poet, my words would be about things I desire but cannot attain, objects of utter beauty that make me wallow in humility, or people of enormous talent who look down at me from the clouds of genius. But I don’t write poems. My work consists of letters drawn to fit together, that become an element of someone’s visual poetry. I am the poet’s assistant, so to speak. Once in a while, the assistant persists on what the subject of the poem will be. And occasionally, the poet gives in to the persistence. I hope you, visual poet, find my persistence justified in this case.
OTF | 1 Font | JPEG Preview | 6 Mb RAR
Creation of this typeface for titling, display, and logos was inspired by my exploration and drawing of forms found in nature. Refined, quiet and elegant, yet quirky enough to employ slim filaments that somehow are not faint of heart, Mandevilla is named for the verdant tropical vine. The sturdy plant has firm footing in the soil, then climbs, curving around trees, stretching toward the light, bridging earth and sky. Mandevilla began as a sans-serif, but its footing, in the form of tiny round lachrymal terminals, roots it and transforms it into a semi-serif. From there the tendrils spiral—especially in the uppercase letters, with their echoes of nautilus shells we held to our ears to hear the ocean—and embrace slender, airy ascenders that tenderly but determinedly rise heavenward. As I sketched, I played with curliques, beginning with the uppercase A. My process usually begins with lowercase letters, but I was fascinated by the spirals and the references to nature, and how that swirl swept around the A, B, and Q, giving each a delicately different personality, within a softly stated whole. The sweep of my pencil both interrupted and completed the diagonal stems of the A and the K, and this idiosyncrasy intrigued me. How would this theme work its way through the alphabet? When I was finished, I sensed spun sugar, or the vines of a delicate plant—and thus its name, Mandevilla. From there, I moved to the lowercase letters, and sought simplicity to balance the embellishments in the uppercase letters. Round, open, friendly, warm, with just a whisper of the Art Deco period, they soften the more ornate letters yet confer a touch of clarity. Born as sans-serif shapes, their terminals now carry a hint of drops of dew, shifting them to semi-serifs. Alternates are included to allow for versatility, so each design has your unique twist. While the Mandevilla default is decorative, the titling set is unadorned and non-stylized, yet still capturing the airiness of the typeface. Access them in the Open Type panel as Titling Alternates, as seen in the User’s Guide. They’re useful in some larger text settings or simply if the design calls for a more standard look. Also included are a 3/4 size set, listed and found as small caps. Small caps are typically the size of a lowercase letter, but these 3/4 caps are about 80% of the height of the uppercase letters. They are useful for all uppercase settings—used together, they maintain a sense of a word shape because they are smaller and less ornamented than the initial cap and are serif-free. A set of swashes offers both upper and lowercase variations, with an especially rich selection for each lowercase letter. Mandevilla includes a downloadable User’s Guide (available for download from the ‘Gallery’ tab), 950 glyphs, and 210 alternates, including sets of uppercase and lowercase letters (both swash and standard—the standard are listed in the User’s Guide as “Titling Alternates”), and 3/4 uppercase alternates listed as “small caps.” Thirty-eight ornaments complete the package. May your type rise up to meet you as you work!
OTF | 3 Fonts | JPEG Preview | 9.4 Mb RAR
Barbieri is a casual sans type family, based on a German lettering style from the 1960s. The original hand-drawn alphabet was used in a rather peculiar edition of Der Barbier von Bagdad, an opera composed by Peter Cornelius. Our efforts to identify the cover designer have been, so far, unsuccessful. As fans of informal typography and popular lettering styles, we thought these few thin letters deserved a re-incarnation as a complete type family. Andrés Torresi and Marta Sánchez Marco were in charge of the production work. Now Barbieri has 6 weights suitable for packaging, posters, and music covers. It resembles a certain ‘Americana’ spirit, though with a Germanic twist.
OTF | 6 Fonts | 3.7 Mb RAR
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