https://www.fontspring.com/fonts/2d-typo/geomanticus

https://www.fontspring.com/fonts/2d-typo/pressure-drop-2d

https://www.youworkforthem.com/font/T8317/chopsee/

• Chopsee is a fun, fluid, versatile font family of 8 weights and matching italics designed by Dan Jones for TypeUnion.
• The font aims to encompass movement and fluidity with its accentuated curves and terminals. The raised x-height creates more synergy between the lowercase and uppercase characters thus enhancing the visual appearance.
• The family of 8 weights & italics means you have plenty of usage options whether digital, branding or print - Chopsee black is perfect for that new brand idea you have, while the lighter weights provide a subtle support to clean layouts whether it’s call out text on a website or in print applications such as posters or magazine layouts.

https://www.youworkforthem.com/font/T8288/trixie/

• Introducing Trixie!! a new layered multiply typeface, inspired from geometric and multiply effect. Trixie is a modern, futuristic, minimal and clean font layer with upper & lower case characters, multilingual letters, numbers, and punctuation. This font makes way for the creativity of each and every one. Modify, give it colors and blending to instantly give your works a futuristic feel. Trixie is great for creating eye-catching headlines and applicable for any type of graphic design web, print, motion graphics, perfect for t-shirts and other items like logos, poster/ flyer, branding, packaging, pictograms, etc.

https://www.fontspring.com/fonts/ndiscover/bruta-pro

• Bruta is a contemporary sans-serif grotesque typeface, conceived to become the Swiss army knife of your font library.
• Inheriting the modernist approach of the grotesque fonts, Bruta aims to be a rational and neutral typeface suitable for a wide range of applications. Whether it’s used for print or screen, in large or small sizes, for magazines or branding, Bruta will stay on your font library for long time.
• Loaded with many Opentype Features, Bruta can easily become your new default font.

https://www.fontspring.com/fonts/dunwich-type-founders/recovery

• Recovery brings history to bear when the blackest type is called for. Charles Coiner’s identity for the depression-era National Recovery Administration included an alphabet of heavy art deco forms distilled with a chemistry set borrowed from the modernists of the Weimar Republic. America was blanketed with Coiner’s propaganda graphics for the less than two years the NRA survived. At American Type Founders Morris Fuller Benton turned Coiner’s work into the typeface Eagle Bold.
• Recovery is a revival of Eagle Bold. Benton’s letters have been tweaked to provide a more intense and even wall of black than was possible with foundry type. Small caps have been added to lend titles potency. These brawny forms can beef up any headline.

https://www.fontspring.com/fonts/dunwich-type-founders/black-monday

Black Monday is based on the classic font Eagle Bold. Three sets of uniquely eroded letters automatically cycle to create a worn vintage look.

https://www.fontspring.com/fonts/dunwich-type-founders/gigalypse

• Gigalypse is a one-weight workhorse. As a square sans Gigalypse can look smart, serious, and even futuristic. Round corners and curved sides add warmth and humor tempered by sophisticated geometry. This soft sophistication makes Gigalypse work whenever heavy display type is called for.

Mangerica Font Family $249 | 18 x TTF and OTF
http://www.myfonts.com/fonts/ndiscovered/mangerica/

This design incorporates different styles into a consistent look. A pinch of script, a little of geometric and some humanistic shapes as well create a very distinguishable sans-serif. It has an overall good feeling specially on the heavier weights that have intended contrast irregularities to create a ‘cartoonish’ look.

The italic version is deeply rooted in the calligraphic heritage of the Italics. This way the brush inspired strokes are emphasized as well as an overall calligraphic look. Far from being a mere slant, Mangerica Italic had every lowercase glyph redesigned as well as some uppercase, besides that, every glyph was optically adjusted to ensure not only aesthetics but functionality too. 

https://www.fontspring.com/fonts/schizotype/revla-sans-text

• Fun. Fun isn’t it? But sometimes you can have too much fun, and things can get out of hand. Revla Sans is, in certain situations, too much fun. So, without further ado, let me introduce the straight man to Revla Sans’s buffoon - Revla Sans Text.
• It represents a complete overhaul of Revla Sans. The bounciness has been removed and details reined in, all for the purpose of optimizing the fonts for use in longer runs of text. ‘Text’ is perhaps a strong word here; you’re not going to be setting novels in this typeface. It still retains the charm of the original, and could well be used in display settings. Think of it like this - Revla Sans would be a great choice for the logo and branding of a board game, no? Revla Sans Text, then, would be good for setting the instructions, or body copy on the website.

https://www.youworkforthem.com/font/T0982/futura/

• Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque left behind on the Moon by the Apollo 11 astronauts in July, 1969 is set in Futura. There is no other font that can do what it does with the same impact. You might say Futura is to Helvetica as driving a Porsche is to driving a Toyota--they both get you there, but the former does it with so much more fun.
• Futura was designed by type design luminary Paul Renner, and is used extensively in advertising and logo design, by IKEA, Volkswagen, Shell, HP and many more. Used in any headline or body situation, Futura can bring you all the magic, promise and forward-looking sans power in an iconic and powerful way, as director Stanley Kubrick knew--it was his favorite font.Commissioned by the Bauer type foundry, Futura was commercially released in 1927.

https://www.youworkforthem.com/font/T8253/isidora-sans/

• Isidora Sans is a new version of the bestselling font Isidora (released a year ago). The absence of terminals gives this new typeface a cleaner and more geometric look, keeping the essence and structure of the classic sans fonts of the early 20th Century yet with a fresh, clean and contemporary appearance.
• Isidora Sans consists of two subfamilies of 7 weights, ranging from Thin to Black, with matching italics, giving a total of 28 fonts.
• Isidora Sans is the perfect font for publishing, titles, books, magazines and corporate design. Its Alt version is ideal for logotypes, branding, packaging, and use on web and Tv. The family contains a set of 416 characters supporting 207 different languages.

https://www.fontspring.com/fonts/louie-yabut/lagrima-sans

• Lagrima Sans is a contemporary-geometric inspired typeface. It contains an earless double story “g”; the first of its kind in a sans-serif typeface. It is a low contrast san-serif with lacrimal-inspired counterforms, and higher x-heights; making it very legible for display and text use. Lagrima Sans comes in 18 styles: 9 weight variations with accompanying italicize versions of each weight variation.
• Lagrima Sans comes with many impressive OpenType features. It is not limited to alternative glyphs, small caps, ligatures, proportional/tabular lining and oldstyle figures, and automatic fractions. Other features include superior and inferiors, ordinals, slashed zero, and case-sensitive forms. It supports over Latin Plus coverage with 219 Latin-based languages.

https://www.youworkforthem.com/font/T8285/xunga/

• Xunga is a cheerful display typeface. My goal was to design a font able to fit any layout with boldness and playfulness, mixing a sign painter taste in the uppercase and some of my crappy calligraphic reverse contrast explorations with the flat brush for the lowercase.
• I designed several of widths to fit the page, and though about a different way of expanding the family shifting the horizontal stress axis to move the letter weight in different heights, making a 15 fonts family, suitable for making bold layouts.
• Xunga has an extended character set for European languages as well as Vietnamese, and shows all its potential with OpenType-savvy applications. Every font includes ligatures, catchwords in discretional ligatures, contextual alternates to avoid conflictive glyph pairs and localized forms to avoid problems with several glyphs and languages.