Fantastic Voyages of the Cinematic Imagination Georges Melies's Trip to the Moon

$Fantastic Voyages of the Cinematic Imagination Georges Melies\'s Trip to the Moon$

An authoritative and comprehensive guide to cinema’s first true blockbuster.

“Best moving pictures I ever saw.” Thus did one vaudeville theater manager describe Georges Melies’s A Trip to the Moon[Le Voyage dans la lune], after it was screened for enthusiastic audiences in October 1902. Cinema’s first blockbuster, A Trip to the Moon still inspires such superlatives and continues to be widely seen more than one hundred years later. In Fantastic Voyages of the Cinematic Imagination, a number of leading film scholars examine Melies’s landmark film in detail, demonstrating its many crucial connections to literature, popular culture, and visual culture of the , as well as its long “afterlife” in more recent films, music videos, and television. Together, their essays make clear that Melies should be seen not only as a major filmmaker but also as a key figure in the emergence of modern spectacle. By brig the interdisciplinary methodologies of early cinema studies to bear on A Trip to the Moon, the book’s contributors also open up much larger questions about aesthetics, media, and modernity.

In his introduction, Matthew Solomon traces the convoluted provenance of the film’s multiple versions and its key place in the historiography of cinema, and an appendix contains a useful dossier of primary-source documents that contextualize the film’s production, along with translations of two major articles written by Melies himself. Included with the book is a critical edition DVD containing two versions of the film: a reconstructed version (finally presented at the speed specified in Melies’s catalogs) accompanied by an original 1903 score and a recently rediscovered color-tinted version; both have optional audio commentaries by the editor.

“Matthew Solomon … deserves much credit for making the point that the study of an individual film by a range of scholars ought to find a larger place among the more traditional auteur and genre studies.” — Film History

“This superbly conceived collection enhances understanding of a keystone film … Excellent early-cinema scholars … illuminate[Melies’s] articulate artistic credo and his meticulous and inventive practice of the new art form … A necessary addition to comprehensive film collections.” — CHOICE

“This is a welcome addition to the field of early film history. It does that wonderful thing that the best film histories do—it points out the relevance of its subject to areas beyond cinema studies. In this case the focus on one filmmaker affords a deeper understanding of not only Melies and the context of his work, but also its impact on aesthetic and critical debates rag from the avant-garde of the early twentieth century to those concerning technology and vision in the twenty-first century.” — Michael Hammond, author of The Big Show: British Cinema Culture in the Great War, 1914–1918

“While focusing on A Trip to the Moon, the book highlights such diverse issues as the film’s artistic sources, its historical reception over , its place within the career of Melies, and its relation to other works of cinema.” — Lucy Fischer, author of Designing Women: Cinema, Art Deco, and the Female Form

Matthew Solomon is Associate Professor of Cinema Studies at the College of Staten Island, City University of New York. He is the author of Disappea