Atrament Font Family

The Atrament font family was originally conceived in 2003 as the corporate display type family for Suitcase Type Foundry. Its original source of inspiration is the front cover of the Devetsil - Revolucni slovn’k almanac (1922), designed by Karel Teige. The lettering on this cover is a condensed sans serif with rounded stroke terminals. Atrament is significantly broader than the model and its characters are better balanced, reflecting the evolution of semi-condensed sans serifs throughout the 1960s. The horizontal strokes of both lower and upper case are less stressed than the vertical stems. Noteworthy are the unusual tiny gaps in the apex and vertex of letters with diagonal strokes, designed to prevent ink from spreading and smudging the letter shapes. This detail is one of the main features of the font’s character. The general feel of the italics closely matches the strictly vertical, parallel character of the regular cut.

OTF | 10 Fonts | JPEG Preview | 4.5 Mb RAR

Black Slabbath Font Family

The heaviest typeface in the world, Black Slabbath. There’s only one thing about this new typeface that isn’t colossally black: the razor-thin white space. It slices through and between geometric characters, creating a juxtaposition of contrasts and rhythms. Black Slabbath is delivered in OpenType format. Already being used by a number of hot companies and design firms, Black Slabbath makes any text look delicious. This colossally black typeface is the next big thing, with stylish geometric characters that create a juxtaposition of contrasts and rhythms. Black Slabbath also takes advantage of the innovative OpenType format and includes ligatures and alternates. Black Slabbath is the brainchild of graphic designer Stefan Kjartansson, YouWorkForThem commissioned the typeface, nursing the development of its painstaking drawing, kerning, and spacing to perfection over six months in 2007-2008.

OTF | 2 Fonts | JPEG Preview | 3.7 Mb RAR

www.tendollarfonts.com/strassenbahn/

Strassenbahn, a monospaced uppercase typeface inspired by the lettering of viennese tramway displays. Specialty about Strassenbahn is the international accents being reduced by height to fit in the "screen". Get on board! 

TTF | 1 Font | JPEG Preview | 5 Mb RAR

PF Bodoni Script Font Family

"Always intrigued by Bodoni’s original work, I was set out—back in 2000—to examine his work and study Manuale Tipografico, one of the greatest specimen books ever printed. Issued in 1818 at Parma, Italy by Bodoni’s widow, the two-volume work shows an impressive array of 142 roman alphabets and some foreign ones such as Greek and Cyrillic. After a careful examination of all characters, I decided to create a typeface based on the distinct script capitals presented in the book. Matching lowercase italics were later selected and designed to complete the series. Since my intention was not to create simply a digital version of Bodoni’s work, this typeface was designed with connected characters and capitals with extra calligraphic elements.

The result was released in 2002 and published in our award-winning catalog/book IDEA/Trendsetting Typography vol.1. Later in 2005 we revived a large number of ornaments and borders (credit goes to designer George Lygas).

OTF | 6 Fonts | JPEG Preview | 3.9 Mb RAR

Ebisu Font Family

Ebisu is a sans serif family consisting of 10 different weights. Designed by Alex Haigh in 2010, and influenced by one of his original designs from 2008 Hiruko - Ebisu loses the soft sans serif curves, for a more robust geometric styling. But it’s much more than a geo-replica. The lowercase characters also have a more exaggerated sharpness that gives the whole family a unique look and feel. The kerning has been individually crafted for each letter, with vigorous attention - to ensure that each letter from is produced in a way that works with every member of the set, for a tightly knit sans serif family. It speaks many languages too. The open type features have an extended character set to support Central, Eastern, and Western European languages. With each weight conveying a different personality, Ebisu is set to become the modern new sans serif family to sit alongside you classics for versatility, cleanliness and a crafted edge.

OTF | 10 Fonts | JPEG Preview | 3.1 Mb RAR

Supernett cn Font Family

Ever tried to write a Sans-Serif by hand? We did it Supernett! More than 4700 glyphs per style to pursue one goal: let the font look real hand-made, let equal glyphs look different to each other. 

OTF | 6 Fonts | JPEG Preview | 37.7 Mb RAR

Booster Next FY Font Family

Booster Next FY, our friendly round sans-serif typeface, comes out with six new weights, from Thin to Black. Due to its large width, this family offers a good legibility in all text sizes for branding, editorial designs but it’s also a perfect typeface for Web or other Screen Applications. To try it is to love it!

OTF | 6 Fonts | JPEG Preview | 9 Mb RAR

YWFT Burls Font

YWFT Burls comes at you like the late-60s Minnesota Vikings defensive line. Burly, thick, massive, manly, and tough with retro thickness and fifty pounds of lard-enriched meat sauce.

OTF | 1 Font | JPEG Preview | 3.2 Mb RAR

Steagal Font Family

OTF | 18 Fonts | JPEG Preview | 5.7 Mb RAR

Castiana Font

Castiana is an elegant font inspired by old books, medieval typography, and rustic art.

OTF | 1 Font | JEG Preview | 4.3 Mb RAR

Infamy - Graffiti and Street Art Typeface $99

 4 OTF  & WOFF Font Files | Designers: Santiago Sancha 2014

http://www.myfonts.com/fonts/latinotype/infamy/

• Infamy is a display typeface inspired by graffiti and street art, featuring the ‘bubble letter’ style of writing which was very popular among subway and suburban graffiti artists in the early days of American graffiti. This font recovers graffiti horizontal alignment, tight tracking and colourful lettering. The OpenType version includes many different ligatures which provide multiple options when composing a text. Multiple layers make Infamy a bright, shaded and colourful font, allowing you to dress up your writing. This font incorporates a pictorial rendering of character faces (instead of small caps), capturing the essence of the graffiti: the ‘childish’ and the ‘irresponsible’, which is present in the experimental side of the typeface.

Sideshow Display Font

Inspired by the art of sign painting, Sideshow is the ideal display font for announcing a big event, sale or anything important. This display font comes with an excellent assortment of 40 special graphic-glyphs that won't be ignored.

OTF | 1 Font | JPEG Preview | 3.5 Mb RAR

Golos Font Family

Golos is an sleek and authentic font face with two styles: regular and italic. Golos is recommended for use as a display typeface.

OTF | 2 Fonts | JPEG Preview | 6 Mb RAR

Oita Font Family $124

42 OpenType OTF Fonts | Designer: Jeremy Dooley

http://www.myfonts.com/fonts/insigne/oita/

• Oita might be a carefully crafted typeface family, created by a meat-bag human.
• Or, it might have been made by a supremely clever sentient robot.
• Found in the dark recesses of a top secret spy agency’s quantum computer, this font came with this somewhat unusual description, which is presented without comment.
• "To conquer, we cannot simply overcome. Success is found in supremacy--in the dominance of Oita.
• While looking for the right tool for this success, our research has led us to the finely executed forms found of military domination throughout history. In our labs, we've used our specialized machines to harness these forms' power and refined their impact through elements of contemporary and computer design. The structure proves to be robotic and squared on its edges. However, the chutzpah of this technical face still allows it to pass as if created by human hands.
• Our resulting payload, Oita, is modern and sturdy. While based on a practical, octagonal structure, make no mistake; this new instrument will drive forward the energy you want to push through your projects. Oita has 42 cuts certain to encompass your designs on world domination. Each font contains the glyphs to support over 52 languages. The font also includes tabular and lining figures, numerous ligatures, and selected advanced Opentype options, including stencil and experimental options to bring out the dynamic characteristics that have already been crafted into Oita.
• Early tests have found that the new instrument is easily scalable to smaller dimensions without reducing its impact. The font remains highly readable across a variety of applications. We speculate from our findings that it will be successful for sporting and technical applications.
• So for you who venture to use Oita, use it boldly. Don't just overcome. Dominate. Go and conquer mightily with Oita. We'll be watching."
• We may never know whether Oita hails from mind or mechanism. What we do know is that, should you choose to take on Oita, you'll be acquiring a dynamic poster and packaging face, a minigun-toting bad robot of a font that exudes pace and power.

Heraldica Script OTF $79

OTF and WOFF Files | Designers: Angel Koziupa, Alejandro Paul

http://www.myfonts.com/fonts/sudtipos/her%C3%A1ldica-script/

Piel Script Font

Over the past couple of years I received quite a number of unusual and surprising requests to modify my type designs to suit projects of personal nature, but none top the ones that asked me to typeset and modify tattoos using Burgues Script or Adios. At first the whole idea was amusing to me, kind of like an inside joke. I had worked in corporate branding for a few years before becoming a type designer, and suddenly I was being asked to get involved in personal branding, as literally “personal” and “branding” as the expression can get. After a few such requests I began pondering the whole thing from a professional perspective. It was typography, after all, no matter how unusual the method or medium. A very personal kind of typography, too. The messages being typeset were commemorating friends, family, births, deaths, loves, principles, and things that influenced people in a deep and direct way, so much so that they chose to etch that influence on their bodies and wear it forever. And when you decide to wear something forever, style is of the essence. After digging into the tattooing scene, I have a whole new respect for tattoo artists. Wielding that machine is not easy, and driving pigment into people’s skin is an enormous responsibility. Not to mention that they're some of the very few who still use a crafty, hands-on process that is all but obsolete in other ornamentation methods. Some artists go the extra mile and take the time to develop their own lettering for tattooing purposes, and some are inventive enough to create letters based on the tattoo’s concept. But they are not the norm. Generally speaking, most tattoo artists use generic type designs to typeset words. Even the popular blackletter designs have become quite generic over the past few decades. I still cringe when I see something like Bank Script embedded into people’s skin, turning them into breathing, walking shareholder invitations or government bonds. There’s been quite a few attempts at making fonts out of whatever original tattoo designer typefaces can be found out there - wavy pseudo-comical letters, or rough thick brush scripts, but as far as I could tell a stylish skin script was never attempted in the digital age. And that’s why I decided to design Piel Script. Piel is Spanish for skin. In a way, Piel Script is a removed cousin of Burgues Script. Although the initial sketches were infused with some 1930s showcard lettering ideas (particularly those of B. Boley, whose amazing work was shown in Sign of the Times magazine), most of the important decisions about letter shapes and connectivity were reached by observing whatever strengths and weaknesses can be seen in tattoos using Burgues. Tattoos using Adios also provided some minor input. In retrospect, I suppose Affair exercised some influence as well, albeit in a minor way. I guess what I'm trying to say is there is as much of me in Piel Script as there is in any of the other major scripts I designed, even though the driving vision for it is entirely different from anything else I have ever done. I hope you like Piel Script. If you decide it to use it on your skin, I'll be very flattered. If you decide to use it on your skateboard or book cover, I'll be just as happy. Scripts can't get any more personal than this. Piel Script received the Letter2 award, where they selected the best 53 typefaces of the last decade, organised by ATypI.

OTF | 1 Font | JPEG Preview | 50.5 Mb RAR

Melany Lane Font Family

Melany Lane from Yellow Design Studio is a flourishy script based on traditional letterforms, but with the added quirks and warmth of hand-drawn type. The base character set has traditionally connected letters and an expressive charm. Contextual alternates add flair with unconnected letters and additional contour options. Mix in swash and stylistic alternates for extra funkiness and fun. Melany Lane features regular and bold versions, 118 eclectic ornaments (also in regular and bold), and a free set of 14 seamless background patterns. It includes over 1300 glyphs and 364 ligatures that create interesting letter combinations and fix overlapping letter pairs. Opentype features including contextual alternates, swash, stylistic sets, ligatures, initial and terminal forms and old-style figures. It performs best with opentype friendly applications.

OTF | 5 Fonts | JPEG Preview | 7.6 Mb RAR

Reina Font Family

Reina is Sproviero’s didone of the year. We recommend seeing its user’s guide. Inspired in the sweet letters of calligraphy and typography masters of our past; such as Didot, Bodoni and the incredible Herb Lubalin, its aim was to incorporate the decorative accolades from blackletter and copperplate styles of calligraphy into a Modern Roman typeface. Reina reflects sovereignty due to the enveloping atmosphere and the sensation of greatness that can be felt when using it. It has an unique way of standing over paper and screen, being its swashes responsible of an extreme elegance. Similar to what Lian did in his last font Breathe, Reina was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results.

Reina is a family with many members. In order to achieve better results when printing, Lian took his time to design the necessary styles: Reina 72 Pro, prepared for display sizes; Reina 36 Pro, for medium sizes; and Reina 12 Pro, the best for text or decorative words in small size. Each of these members have variants inside, which are open-type programmed: The user decides which glyph to alternate, equalizing the amount of decoration wanted. Reina Engraved Pro has the same features than the variants mentioned above. The family also contains variants which were made exclusively for decoration. These are: Reina Words, a set of the most common words used in english, german, italian, french and spanish; Reina Capitals, which consists in a big set of ornamented capitals; and Reina Fleurons, those little friends which always help to embellish our work.

OTF | 12 Fonts | JPEG Preview | 6.4 Mb RAR

Klaus FY Font Family

Fairly condensed, slightly contrasts and particularly terminals, Klaus FY offers a good legibility in all text sizes. Its broken ductus reminds of blackletter shapes and gives this family a very singular and modern style.

OTF | 10 Fonts | JPEG Preview | 7.6 Mb RAR

Kelson Sans Font Family

OTF | 3 Fonts | JPEG Preview | 3.7 Mb RAR

Awning Display

Inspired by an afternoon bike ride through downtown Los Angeles Awning Display is approachable and easy to read from a distance. It captures the charm of signs I notice painted on awnings. Awning Display will add the perfect personal touch to your next project. This bold uppercase alphabet is perfect for grabbing attention in any storefront or window display.

OTF | 1 Font | JPEG Preview | 6.1 Mb RAR

Controller Font Family

Controller is a geometric rounded sans serif including 5 weights and corresponding obliques and thier extended style are ready. Originally, the designer was inspired by a mixture of techno and organic design in the end of 20th century around the West Coast. The letterforms of this font are designed geometric but are also slightly rounded to make a natural, warm and organic impression. Uppercase N has its alternative glyph that can be accessed by using OpenType stylistic feature. Controller is a versatile and useful family for a wide range of projects.

OTF | 19 Fonts | JPEG Preview | 3.3 Mb RAR

Ricotta Script Font

Another unmistakable Koziupa/Paul production, Ricotta has very little baby fat for a sturdy brush script. What movement it shows is effective and integral to its expression, which is at once compact, lush and eye-catching. Ricotta, and its subtle details in just the right places, should feel at home among the bright and cheerful colors of dairy product and pizza packaging.

OTF | 1 Font | JPEG Preview | 3.3 Mb RAR