CM - Sailors Font Sailors

CM - Briella Font 540798

CM - Robot Font 527294

CM - Set of Brochures Stationery 04 530458

CM - Firca Font 529989

Videohive The Logbook Mockup 9802503
CS5, CS5.5, CS6, CC, CC 2014 | 1920x1080 | Requires Plugins: No | 331 MB
Demo

Videohive Gallery Creator 13288245
CS5, CS5.5, CS6, CC, CC 2014 | 1920x1080 | Requires Plugins: No | 113 MB
Demo

Lando Font Family - 5 Fonts $60
OTF
Introducing Lando - a handmade uppercase type family with a natural character. Lando comes in two styles with two weights each. Its characters have been drawn by hand to give them a warm and authentic look. Landos appearance is enhanced by two contextual alternates for each latin character and all numbers. In addition all fonts contain several open type fuctions such as swashes and initials, a selection of ligatures and support of open type fractions. It is rounded up by many handy extras such as shapes and icons, catch words, bullets and much more.
Lando is intended to work best in logos, posters, magazine headlines and on packagings and apparel. But it also feels comfortable with short texts due to it’s support of many latin languages.
http://www.myfonts.com/fonts/illunatic/lando/

Videohive Touch Screen Presentation 6643139
CS5, CS5.5, CS6, CC, CC 2014 | 1920x1080 | Requires Plugins: No | 360 MB
Demo

Videohive Hand Writing Book 4939840
CS5, CS5.5, CS6, CC, CC 2014 | 1920x1080 | Requires Plugins: No | 59 MB
Demo

Ribeye Pro Font Family - 2 Fonts $58
The Ribeye Pro Family is reminiscent of a cartoon tattoo style of lettering, but exhibits a playfulness that breaks traditional weight distribution across its letterforms. An edgy attitude, friendly syncopation, and highly legible letterforms makes these fonts a real pair of charmers. The SmallCaps and extensive figure sets give the Ribeye Pro Family a more diverse design voice, ranging from slightly serious to downright ludicrous.
Opentype features include:
- SmallCaps.
- Full set of Inferiors and Superiors for limitless fractions.
- Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures).
- Stylistic Alternates for Caps to SmallCaps conversion.
http://www.myfonts.com/fonts/stiggy-sands/ribeye-pro/

Sorvettero Font Family - 6 Font $199
OTF
Sorvettero is a sans, layered and unicase typeface inspired by some wood signs at Descansópolis, a neighborhood on Campos do Jordão, a city of Brazil. A fun and cute display project with different use purposes, like packaging, logos, signs, and whatever your creativity brings on.
Designed by Diego Maldonado, with contribution of Tony de Marco on the Diamond style.
http://www.myfonts.com/fonts/justintype/sorvettero/

Make yourself at home with Chester, our February 2016 release. This theme travels light, focusing on essential design elements and paying special attention to detail. It features four custom widgets, the additional Sidepanel position, different main navigation layouts and a bunch of useful little helpers. With its spacious layout and elegant typography, Chester will perfectly represent a hotel, inn or any other grastronomy business, though it's versatile enough to work great with any kind of website.

http://www.myfonts.com/fonts/emigre/malaga-ot/

This text was first published in 2007 in the type specimen booklet for Malaga. Why do we need another typeface? This is a prickly question often asked of typeface designers. Depending on who you ask, the answer in simplified form is usually one of two: 1. As the basis of written communication, type design carries social responsibility, so we must continue to improve legibility. 2. Type design is a form of artistic expression. Without art, life is not worth living. The best work, of course, accomplishes both. Xavier Dupré, the designer of the Malaga typeface family, has at least one leg securely planted in the latter notion. He believes, like others, that within typeface design most legibility needs have been worked out and that today we are satisfying aesthetic desires. We design typefaces to differentiate our communications. Type design is primarily a formal exercise reflecting our personal quirks, technological obsessions, and cultural heritage. In case of Dupré’s work, issues of cultural heritage and personal quirks are of particular consequence. An incessant traveler, he visited the following countries during the development of the Malaga type family: Thailand, Malaysia, Indonesia, Myanmar, Cambodia, Vietnam, France, Belgium, and finally, Spain, where his choice for the name Malaga originates (Malaga is a port city in southern Spain). Dupré’s home is where his laptop is. He travels with a 12- or 15 inch PowerBook, without a printer, and with sporadic access to his reference books and other historical documents. All he needs is a table and chair. He even learned to design without a mouse since hotel and cafe tables are often too small to also fit a mousepad. Dupré is the new global designer who can take disparate influences and fluidly process the information into a coherent whole. Malaga is a case in point. It is inspired by ideas ranging from blackletter to Latin fonts, and from the Quattrocento’s first Venetian antiquas to brush stroke types. This makes Malaga a richly animated font saturated with unorthodox detail. Its black and bold weights are particularly suited for headlines and short texts, while the subtle modulation and moderate contrast in the regular and medium weights makes it perfectly readable in extended text settings. While Malaga doesn’t claim to resolve any particular legibility issues, it is nonetheless perfectly readable and will impart any design with a healthy dose of visual character.

OTF | 16 Fonts | JPG Preview | 2.4 Mb RAR