The LUTs included:

1. 
   
   
   
   
   
   • S&D - The in camera/post workhorse for all my commercial projects. This is my go to LUT for neutral looks.
   
   
   
   
   
   
   • Hello_Darkness_4300 - Perfect for night interiors/exteriors or whenever you want to preview dark images but retain a healthy digital negative.
   
   
   
   
   
   
   • REC709_Under - When you want neutral colors but moodier images with a healthy negative.
   
   
   
   
   
   
   • REC709_Contrast - For situations that require more contrast in camera/post but you still want a neutral base.
   
   
   
   
   
   
   • Light_Sensitve_Neutral_2 - Perfect for contrasty scenes with hot backlight (ie bright sunny exteriors)
   
   
   
   
   
   
   • RB_No_Clip - Pushes the RED & Blue Channels and is super sensitive. Use to keep a contrasty scene from clipping.
   
   
   
   
   
   
   • 5600_ND_Neutral - A great LUT for using heavy ND in bright exterior settings.
   
   
   
   
   
   
   • Agency_Flat - Going for a dark look? This is a flat LUT ideal for passing on to video village.
   
   
   
   
   
   
   • Agency_Stretch - Did someone ask for more pop or more color? Perfect for client/agency when you want to retain a better negative.
   
   
   
   
   
   
   • 5600_Day_Film - A light sensitive LUT ideal for getting a strong look in camera while retaining a thick negative.
   
   
   
   

These LUTs have been designed for in camera & post production usage.

If you are using these LUTs only in post you are missing out on the true power of a LUT based workflow.

Most modern digital cinema cameras allow users to load .cube based LUTs as well as many software programs.

- DaVinci Resolve

- Premiere Pro

- Assimilate Scratch

- After Effects

- & many more...