Synthesism loops are designed to be mixed with existing drum and percussion loops to symbiotically fill in the rhythmic gaps, provide a tonal melodic identity, and co-formulate futuristic grooves that are more infectious than a viral marketing campaign. Synthesism 01 focuses on chunky negative-space baselines, angular melodic stabs, ill-behaved electro rudeness, oblique synth heretics, minimal polyrhythmic ostinatos, and asymmetric tonal clusters.

Synthesism 01 loop content is produced at native tempos of 128BPM & 106BPM and is designed to effortlessly stretch from 90BPM to 140BPM and beyond to fit all tempo ranges used in current dance, electronic, and urban music sub-genres. Synthesism 01 is particularly suitable for:

• Progressive House, Electro, Tech House, and Techno,
• Experimental Hip Hop, Trip Hop, Glitch Hop, and Dub Step
• Breaks, Electronica, IDM, Synth Pop, and Abstract Rock
• Film Scoring, Game Development, and Sound FX
• and any other cross-genre music style that borrows from these influences

The Synthesism Sample Line is a downloadable series of ultramodern samples, loops, hits, and construction kits provided in industry standard formats including Apple Loops, Acid Loops, AIFF, and WAV.

Features
• All 128BPM loops are designed to be played together with standard 4-to-the-floor Kick-Snare-HiHat patterns. All 106BPM loops are designed to work well with various break grooves. Synthesism loops do not include percussion elements. This allow users to use their own favorite drum samples, or to combine Synthesism loops with other percussion loop libraries such as the Abstraction Line
• All loops are provided without additional auxiliary Reverb or delay effects. This keeps the loops pristinely clean and sharp, enables easy custom slicing and editing, and allows high quality reverb such as Aether and other send effects to be added as needed at the mix stage by the producer to perfectly suit the needs of the given project. The result is more flexibility and better coherence between Synthesism loops and the other additional elements of the project.
• All individual samples are made in stereo and make use of extreme spatial processing techniques at the sample level to produce sounds that literally jump out of the speakers. This produces loops which are very active spatially while keeping perfect silence in-between hits when desired. The result is loops that can cut and punch through even dense mixes without taking up huge amounts of mix space.