Drumstruck 1 features deep kick loops, dynamic snick/top loops and crunchy breakbeats. Aimed at cinematic underscore and lo-fi electronica, the library provides four bar loops that can be used on the fly or in combination, including deep kicks and dynamic snick/top loops and crunchy backbeats.
Reminiscent of Harry Gregson-Williams’ score to the film Phone Booth, there's lots of lo-fi tension and dynamics, which makes it perfect for eerie films and glitchy ambient tracks.

Drumstruck 2 is the follow up to the original Drumstruck library, but is an altogether different beast. This is more about louder, noisier, more distorted beats. If you enjoy the big cinematic beats of the likes of Harry Gregson-Williams, Linkin Park, Craig Armstrong or David Holmes, you’ll find something to use in this instalment.

Drumstruck 3 has a little bit more crunchy darkness going on, with a focus on synth-based, techy loops and a bunch of saturation and gritty detail.

Drumstruck 4 is deeper, darker, and much larger than the others. It has seven patches instead of the usual one – including some impacts and sfx. There are analogue beats, digital drums and even some found sounds and custom acoustic recordings.

All 4 versions offer a wealth of dark, electronic beats and textured, glitchy breaks. There’s plenty of deep, kick-filled loops and crisp top-lines. All processed with The Unfinished's favourite compressors, EQs and distortion plug-ins. No effects, no frills. Just carefully programmed and produced beats, perfect for a wide variety of genres, including cinematic, electronic, rock and pop.

The Drumstruck series is a quick and easy way to introduce supporting loops to your music, dropping them in and out on the fly and combining loops to create new percussive textures.

Drumstruck 1 and 2 are in Kontakt 4 and Kontakt 5 format, whereas Drumstruck 3 and 4 is only in Kontakt 5 format.

home page: theunfinished.co.uk/shop/drumstruck-bundle/

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