In this continuing convergence of music production and Foley sound design, we now have Foley V4: Office. All four volumes work across music genres—they’re essentially genre agnostic. So, what makes Office stand apart? Office fits the Foley series paradigm, but the nature of the material gives this volume a slight tilt toward the classic motorik boing boom tschak that our German Art School students certainly all enjoy.

It’s also the most, um… squishy. Enjoy paper rustles and pen scribbles, printers and scanners, telephones, typewriters and more, all staged in deep sonics and prepped for instant music production. The 80 loops (90 and 160 BPM) show just how busy one can get with these materials; the 61 one shots they’re made of are crisp, supple, and textured. Easily sequence fluid rhythmic soundscapes with a quasi-jungle or drum ‘n’ bass vibe—another nod to genre, and another Office standout feature. First Kitchen Things, then Trash and Human Body, and now Office—four titles and running. With Foley, loops, and one shots, each has something unique going for it, and together, the collection presents a dynamic sound design resource with serious potential.

As standard practice for all loops created by the Soundtrack Loops team, Key and BPM are tagged in both metadata and file names.

Features: 80 Royalty free Office foley sound effects loops and rhythms | 61 One-Shots

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