In this lesson, the second in a series, Steve introduces some techniques for sketchbook studies from the work of a handful of old masters. Then he’ll show you his materials and dive right into some gouache studies using opaque watercolor.

Covering landscape, still-life, and figure, Steve shows you why watercolor is such a great tool for planning out a tonal or color composition, why it’s ideal for creating what he refers to as “happy accidents,” and how it can help you make that difficult transition from competent draftsman to first class painter.

Additionally, Steve will put in time using pen and ink, and brush and ink, exploring ideas for planning future paint strokes, seeing how it will help develop your eye for the precise way to track and/or reinvent form on paper or canvas and see how you can sneak a little color and flare into these time-honored tools.