These tasks include rebuilding a glare on top of your beauty work or stabilizing a shot using motion vector warping. In that spirit, the last shot of the course will be a great challenge for everybody, as we’ll do a complete relighting on a very close-up shot using SynthEyes and Flame in close combination.

This is truly a production-orientated course, meaning that each of our shots will be worked on from start-to-finish and forcing us to find solutions that fit the production reality of a real commercial production.

Christoph Zapletal is a Freelance Flame and Nuke artist and has been working in the industry for a little over twenty years. One of his specialities is beauty work and retouching. Beyond that, he is an Instructor at SAE Institute and a frequent contributor to Digital Production Magazine.