What you'll learn
Getting To know How To Get The Likeness Of The Model
Mixing Skin Tones With Ease
Understanding the hue ,value , edges, chroma or intensity of colour
Anyone can draw or paint if given proper guidance

Requirements
should have interest in drawing and painting

Description
This course is ideal for serious learners interested in portrait painting. Embracing the Alla Prima style, portraits are skilfully created in just two sessions. Students will gain insight into achieving likeness through strong drawing skills, as well as a thorough grasp of light and shadow dynamics. The course emphasizes the pivotal role of brushwork techniques. Exploring the advantages of Oil Paint for portraits, including its flexibility, rich colour palette, layering capabilities, and tonal range. Fundamental concepts like edges, focal point creation, basic colour theory, and the interplay of value and colour relationships are covered. Precision in capturing facial and figure details is highlighted, and the use of tools like plumb lines is encouraged for accuracy. The course underscores the power of portraits in conveying individual essence and creating a captivating, engaging narrative. Suited for students eager to master oil-based portrait painting, committed to consistent practice, and motivated to expand their artistic skill set.Who this course is for:Students wanting to learn how to Paint Portrait in oil coloursStudents willing to put in a couple hours everyday Students willing to take action and start painting amazing artwork Students wanting to add another skill to their tool beltThis course will benefit from beginners to advanced students.

Overview
Section 1: Introduction

Lecture 1 Introduction

Section 2: Instructor Introduction

Lecture 2 Instructor Introduction

Section 3: Materials Required

Lecture 3 Materials And Medium Required

Section 4: Block-in Stage / Drawing

Lecture 4 Block-in Stage / Drawing

Section 5: Block-in Articulation Stage

Lecture 5 Block-in Articulation Stage

Section 6: Articulation Stage Continue

Lecture 6 Articulation Stage Continue

Section 7: Putting Big Colours

Lecture 7 Putting Big Colours

Section 8: Putting Big Colours

Lecture 8 Putting Big Colours Continued

Section 9: Putting The Shadows Colours

Lecture 9 Putting The Shadows Colours

Section 10: Variation Of Light Form

Lecture 10 Variation Of Light Form

Section 11: Variation Of Light Continue

Lecture 11 Variation Of Light Continue

Section 12: Variation Of Light Of Features Of The Face

Lecture 12 Variation Of Light Of Features Of The Face

Section 13: Variation Of Light Finished

Lecture 13 Variation Of Light Finished

Section 14: Mixing Skin Tones and Variation Of Darks

Lecture 14 Mixing Skin Tones Variation Of Darks

Section 15: Variation Of Darks Continue

Lecture 15 Variation Of Darks Continue

Section 16: Finishing The Eyes

Lecture 16 Finishing The Eye

Section 17: Finishing Around The Eye

Lecture 17 Finishing The Eye

Section 18: Rendering The Lights

Lecture 18 Rendering The Lights

Section 19: Rendering The Lights Continues

Lecture 19 Rendering The Lights Continues

Section 20: Rendering And Finishing The Light

Lecture 20 Rendering And Finishing The Light

Section 21: Finishing The Light Form

Lecture 21 Finishing The Light Form

Section 22: Rendering And Finishing The Lights

Lecture 22 Rendering And Finishing The Lights

Section 23: Painting The Hair And The Background

Lecture 23 Painting The Hair And The Background

Section 24: Rendering And Giving Texture To The Hair

Lecture 24 Rendering And Giving Texture To The Hair

Section 25: Final Touches

Lecture 25 Final Touches

For beginners to Advanced learners