Barry Green & David Jimerson - Lighting for Film
Barry Green & David Jimerson - Lighting for Film
.m4v | 3.4Gb


 

Through detailed instruction, tongue-in-cheek sketch illustrations, and hands-on examples, we'll show you the fundamentals of cinematic lighting and how you can use light as a paintbrush to tell your stories like the pros, with just the right look, exposure - and feeling! With over four hours of detailed instruction 

 

You'll learn about:

1. Avoiding the most COMMON MISTAKES

2. Three things which will get you 80% of the way to making your shots look cinematic

3. Understanding EXPOSURE and how to know you're getting it right

4. Understanding SHADOWS and hard and soft light

5. Professional LIGHTING FIXTURES and GEAR

6. Lighting TECHNIQUE

7. Setting a MOOD and meeting ARTISTIC GOALS

8. And much, much more!

 

Get into the mind of a veteran cinematographer in an interview with Levie Isaaks, A.S.C.

 

CONTENTS

DISC 1

INTRODUCTION & HOW LIGHT WORKS

 

1.  Intro

2.  Things People Get Wrong

3.  Getting 80% There

4.  How Light Works

5.  Inverse Square Rule

6.  Stops & F-Stops

7.  Color Temperature

 

EXPOSURE/DYNAMIC RANGE: The Right Amount Of Light

 

1.  Intro

2.  Exposure Tools

3.  Using Zebras

4.  Marker Or Y Get

5.  Waveform Monitor

6.  Waveform vs. Zebras

7.  Where To Get A Waveform Monitor

8.  Dynamic Range

9.  Shooting Computer Screens

 

SHADOWS: Giving Light Shape

 

1.  Intro

2.  What Shadows Are

3.  Contrast Ratios

4.  Light Meters & Contrast Ratios

5.  Managing Unwanted Shadows

6.  Hard & Soft Light

7.  Throw & Falloff

8.  Making Hard Light Softer

9.  Making Soft Light Harder

10. Hard, Soft, & Kits

 

LIGHTING: Basic Technique

 

1.  Intro

2.  The First Light You Place

3.  Key Light Motivation

4.  Filling In Darkness

5.  Finishing Touches

6.  The 3 Points

7.  3-Camera Lighting

8.  Lighting A Full Scene

9.  The Basics Of Artistry

10. The 3 Points Outdoors

11. The Sun As Your Edge Light

12. Magic Hour

DISC 2

LIGHTING GEAR: Making And Controlling Light

 

1.  Intro

2.  HARD LIGHTS: Tungstens & HMIs

3.  Tungsten Issues

4.  Open Face

5.  Workhorses: Fresnels

6.  Miscellaneous Tungstens

7.  HMIS: Daylight

8.  HMI Issues

9.  SOFT LIGHTS: Fluos & LEDs

10. Fluorescent Issues

11. More Fluorescents

12. LEDs

13. Stands

14. Clamps & Mounting

15. Light Control Gear

16. Controlling Brightness

17. Manipulating Hardness & Softness

18. Bouncing Light

19. Changing Color

20. Managing Power

21. Batteries & Generators

22. On-Set Color Grading

 

CONCLUSION:  Final Thoughts

 

1. Conclusion & Credits

 

BONUS MATERIALS:

 

PRO LOG: An Interview With Levie Isaacks, A.S.C.

 

DISC 3: CASE STUDIES

UNAWAKENING

 

A LITTLE MOUTH TO FEED

 

LESSONS APPLIED: Bringing the Scripts To Light

1.  Intro

2.  The Challenge Of Night Exteriors

3.  Night Exteriors II

4.  Not Just A Pretty Red

5.  Creating Night

6.  Perception Is Everything

7.  Simplicity

8.  Working Within Time And Budget

9.  Morning Again

10. Evolving The Rules

11. Lighting Through The Director's Window

12. Night Exteriors III

13. Key Light Motivation And Telling The Story

14. Lighting Isn't Everything

15. Learning Cinematography

16. Wrapping Up

17. Can You Guess?

 

Homepage:  http://www.dvxuser.com/articles/dvxshop/LightDVD/

 

 

 


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