Avenir was designed by Adrian Frutiger and released by Linotype-Hell AG in 1988. The design is based on two earlier sans serif typefaces, Erbar and Futura. Avenir is unusual in that it has weights that are similar, but each is designed for a different purpose. For example, the Light and Book weights are similar, but Book is most appropriate for text blocks while the Light is better for adding a contrasting element (perhaps a heading) to a heavier weight. These weight selections also allow for optimal results under varied printing conditions. Use the bold and extra bold weights of Avenir for emphasis with the light, book, and medium weights.
OTF | 12 Fonts | JPEG Preview | 1 Mb RAR
Matthew Carter designed Bell Centennial in 1978 specifically for AT&T Corporation (the name honors their 100th anniversary) to use in telephone books. Carter developed it to have high legibility at small sizes, and for composition on high-speed, cathode-ray-tube composing machines. (Bell Gothic, the typeface originally designed for telephone books in 1937 and for composition on the hot metal Linotype machines, was no longer usable in the new technology.) Bell Centennial is a sturdy, condensed sans-serif design that achieves great economy of space while being highly legible. Bell Centennial can be used for modern display purposes and, of course, for small print and lists. The Alternate version of Bell Centennial Bold Listing sits on a standard baseline; the original version sits far below the baseline, and cannot mix properly with other fonts on the same line.
OTF | 5 Fonts | JPEG Preview | 1 Mb RAR
Before 1937, telephone books were printed in a variety of typefaces and consequently were often difficult to decipher. Because of his successful work on the legibility problems of newspaper typefaces, Chauncey H. Griffith was hired to develop a typeface that would compact enough to fit large amounts of information on a page while being legible at small sizes even when printed under less than desirable conditions.
OTF | 3 Fonts | JPEG Preview | 1 Mb RAR
A square-serif type is called a slab serif or Egyptian, but when the serif is bracketed (the curved linking stroke between the stem and the square serif), the type is sometimes referred to as a Clarendon. Originated in England by the Fann St. Foundry in 1845, these types are named for the Clarendon Press in Oxford. Clarendon was originally designed as a heavier complement to ordinary serif designs, and is used frequently in dictionaries and headline applications.
OTF | 3 Fonts | JPEG Preview | 1 Mb RAR
Courier is a monospaced typeface for use in tabular material, technical documentation, and word processing. It was designed in the mid-1900s by Howard Kettler of IBM as a typewriter face, and was later redrawn by Adrian Frutiger for the IBM Selectric series.
OTF | 4 Fonts | JPEG Preview | 1.4 Mb RAR
Excelsior was produced in 1931 under the supervision of Chauncey H. Griffith of Linotype. Like Corona, Excelsior was one of the five typefaces in Griffith’s Legibility Group, types that were designed specifically to remain legible under the poor printing conditions that are a matter of course in newspaper printing. Excelsior is still used for that purpose by many European daily newspapers. Excelsior is excellent for newsletters, reports, and proposals.
OTF | 3 Fonts | JPEG Preview | 1 Mb RAR
The main difference between Accord Alt and Accord is in the way curved strokes join with vertical stems in letters such as “bpn”. The Italics are designed at an italic angle of 10 degrees. All the letter forms have been kept similar while designing italic instead changing the form e.g. ‘a’ remains same double story in italic also instead changing it to single story. The intention is to keep it simple and neutral which helps communicate the corporate sense of professionalism.
OTF | 7 Fonts | JPEG Preview | 4.6 Mb RAR
This font was inspired by the Sanborn Map Company's 1909 insurance map catalog.
OTF + TTF | 1 Font | JPEG Preview | 6.5 Mb RAR
The latest from Mr. Check Amegy Star is an elegant swoopy font perfect for taking your headline to another level. The font itself is simple enough that it is easily read and legible but ornate enough to spruce up any design. Includes a few alternates.
TTF | 1 Font | JPEG Preview | 2.5 Mb RAR
Reckless is hybrid connected geometric typeface between script, blackletter and tattoo feel, it can be used in logos, games and graphic related to cars, automotive, Detroit, 1940, 1950, 1960, vintage, retro, classic and old machines.
OTF | 1 Font | JPEG Preview | 5.5 Mb RAR
Sutturah is a display font intended for poster and editorial design. It was born as an exploration of new text patterns. The font combines very detailed and constructed shapes with script flavour. The design has varied influences, from gothic fraktur to the display super black high contrasted wood types. Sutturah is informal and irreverent. Its strong character goes beyond letter shape construction conventions; it quickly catches the eye and surprises the reader. Its personality allows for the creation of stunning pieces of design without the need of any other elements‚ a single word in Sutturah is worth a thousand images. Extra ligatures and swashes give the user even more possibilities and add to the fun of using Sutturah! To transfer the unusual style from Latin to Cyrillic was indeed a big challenge. Nevertheless, Sutturah managed to maintain the same level of legibility across both scripts. The Cyrillic was developed with the help from Sergei Egorov.
OTF | 1 Font | JPEG Preview | 3.4 Mb RAR
Goudy Trajan Pro is based on the drawings by F.W. Goudy of his rendition of the capital letters inscribed on the Trajan column in Rome, rather than on his subsequent metal type, Trajan (Title), released in 1930. Goudy Trajan Pro includes almost 1500 glyphs in each of three weights, including: uppercase, alternates, swash caps, small caps, vertically centered small(er) caps, dozens of fleurons, and much more. Supports Latin, Cyrillic and modern Greek scripts. Many thanks to Krassen Krestev, Sergiy Tkachenko, and Adam Twardoch for their suggestions for improving the Cyrillic glyphs; and to Alex Sheldon for his suggestions for swash caps and improved OpenType features.
OTF | 3 Fonts | JPEG Preview | 7.1 Mb RAR
Barmbrack is the name of latest top notch creation from Blue Vinyl Fonts. The inspiration behind Barmbrack was decorative Victorian showcard lettering. Included in this family: Barmbrack Regular, Barmbrack Bold, Barmbrack Small Caps Regular, Barmbrack Small Caps Bold and Barmbrack Ornaments. Get it today at a price that gladdens the careful buyer!
TTF | 2 Fonts | JPEG Preview | 5.1 Mb RAR
Baufra is a humanist sans-serif typeface. It is based on the sans-serif typefaces of the early 20th century. A characteristic feature of Baufra is its geometric design combined with an earthy naturalism. Baufra family includes 6 weights, 435 characters, manually edited kerning and Opentype features. It was designed for both display and text usage.
OTF | 6 Fonts | JPEG Preview | 4.6 Mb RAR
Calissa Pro is a multilingual, handwritten stylish copperplate calligraphy font, a sort of upgrade to issued earlier this year Calissa font. This file contains over 1800 glyphs and has many open type features including: fancy swashes, alternates, ligatures and lettering - all easily available at the click of a mouse. To make the most of this font an open type aware software is required.
OTF | 1 Font | JPEG Preview | 5.1 Mb RAR
Foverdis is a versatile and powerful ornate script face. Foverdis features flowing hand lettering with tall and graceful ascenders. The face offers a wide array of weights, from the powerful Black weight to the graceful Thin to unique Hairline. Foverdis can get the job done for many unique design tasks. Its wide range of weights at a great price, and OpenType alternates make it a very valuable font for your design toolbox. Foverdis OpenType features include a set of non-connecting alternates, 20 ligatures, and two types of ending letterforms. OpenType features include ornaments, a full set of swashes, swash endings, ending contextual alternates, discretionary ligatures, ligatures and twelve different stylistic sets filled with alternates. In total, there are over 150 alternate letterforms and ornaments. Please see the sample .pdf to see these features in action. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Foverdis is great for a professional designer that wants to maximize design capabilities.
OTF | 6 Fonts | JPEG Preview | 3.4 Mb RAR
Francker is a sans-serif, based on clean and simple design principles that betray its Danish origin. Its curves are based on the “super ellipse”, a mathematical shape about half-way between an ellipse and a rectangle. Francker’s lowercase lettershapes a, b, n, and u, have no spurs, emphasizing the simplicity of their construction. The Francker family is available in two widths, normal and condensed, each in nine weights, from extra light to extra black. Use Francker for signage, posters, magazines, advertisements, or corporate identity projects—wherever an industrial, contemporary look is needed. The Francker type was developed and designed by Anders Francker, an engineer and designer living in Denmark.
TTF | 9 Fonts | JPEG Preview | 4.6 Mb RAR
The visual design of YWFT Trisect was inspired by retro soccer/football jerseys and their triple line, number style. We spent many years in the early 90‘s dreaming of creating this face, but each attempt brought on numerous challenges until we finally achieved a working version around 1998-1999. Multiple clients and customers have used YWFT Trisect since its inception in 1999, including Architecture Magazine, MTV (on air), Wired Magazine, Computer Arts Magazine, the hat store Lidz (signage), along with numerous other companies. YWFT Trisect was converted to opentype format in 2010.
TTF | 8 Fonts | JPEG Preview | 4 Mb RAR
Cillop is a common word in Turkish spoken language that means good, perfect, great and also smooth. Like its several meanings, Cillop Font Family has several characteristics. It has good, cute, different and smooth design. To increase the font’s legibility, the heads and the ends of the small tailed letters as l,p,t etc. were beveled. The font family characterized by its manual kerning and it is multilingual. CILLOP Font Family comes in three weights; normal and italic. A lot of perfect works as posters, affiches, t-shirt prints, logos, magazine texts can be created. It is very useful both on the web and in prints.
OTF | 6 Fonts | JPEG Preview | 1.4 Mb RAR
The Omar Font was completely created by graphic tablet.Omar font family comes in two weights; Normal and Italic. They're all capital but lowercase and capital letters are different from each other.It is legible in small type sizes. With its decorative view, you can get matchless products in typographic works, t-shirt prints, posters, logos and every kind of graphic works.
OTF | 4 Fonts | JPEG Preview | 2.5 Mb RAR
The end of the characters in Sterk aren't cut horizontal, each one of them is let go in their own spaces. In this way, much stronger, freer and independent appearance results. With this typeface, unique typographies can be created, regular legible texts can be written. Sterk Typeface comes in 6 different weights with its strong and bold design.
OTF | 6 Fonts | JPEG Preview | 1 Mb RAR
Elizabeth a script that carries the imperfections of a hand written brush script. It includes regular and discretionary ligatures, as well as stylistic alternatives and swashes. If you are working in a program that supports Open Type, I would suggest purchasing the Pro version as it includes all the features Elizabeth has to offer. If you are not working with Open Type but want to have the option of the swashes are stylistic alternatives, then you can buy both the regular Elizabeth and the swashes version. It will allow you to have most of the functions of Open Type.
OTF | 2 Fonts | JPEG Preview | 6.9 Mb RAR
SermonBox - Seasonal Collection
SermonBox - The Series Pack Collection
Top Rated News
Would you like to be a Author?
