Baldione is a highly stylised variation upon a classic Didone typeface, incorporating a globular decorative ‘ball’ or ‘blob’ in each character’s design. The result has a feel of the 1970s about it somehow and works well in poster and advertising designs with a hint of the outré' about them. Balidone includes an extensive range of ligatures and stylistic alternates. Article abstract: Baldione is a highly stylised variation upon a classic Didone typeface, incorporating a globular decorative ‘ball’ or ‘blob’ in each character’s design. The result has a feel of the 1970s about it somehow and works well in poster and advertising designs with a hint of the outré' about them.
OTF + TTF | 1 Font | JPEG Preview | 7.7 Mb RAR
Conceived alongside his recent extension of Carol Twombly's Trajan family, Adobe Principal designer Robert Slimbach set out to create a distinctly modern sans-serif display type family that retains the elegance and versatility of the original design. The new san-serif variation exhibits less stroke contrast than its seriffed counterpart, with stylized flared stroke endings that suggest v-shaped terminals cut in stone. While there are several fine san-serif typefaces on the market that are inspired by the monumental capitals of ancient Rome, Trajan Sans is unique in its fidelity to the form of the highly-regarded letters inscribed at the base of the Trajan column. The family is offered in six weights ranging from Light to Extra Bold, with language coverage for Pan-European Latin, Cyrillic and Greek. Trajan Sans can be used to convey a sense of permanence, elegance, and modernity in a variety of display titles and signage.
OTF + TTF | 6 Fonts | JPEG Preview | 3.5 Mb RAR
First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while enough conservative for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching italics; Acta Symbols with an amazing collection of symbols specially designed for newspapers and magazines and Acta Poster, a heavyweight version, elegant and eye catching in three styles with plenty of ligatures and alternates.
TTF | 11 Fonts | JPEG Preview | 2.5 Mb RAR
Akon Font Family comes in 2 weights; Regular and Bold. It is completely hand-drawn. The Akon Font Family has a few ornaments and stylistic alternates, ligatures, small capitals, Scientific Inferiors and so. This font family would fit in your mobile application designs magnificently and is a great choise for poster design. With this font family, you can create eye-pleasing and nice works such as posters, printings, t-shirts, adds, magazines etc.
OTF | 2 Fonts | JPEG Preview | 2.2 Mb RAR
Alana Pro is a natural looking, semi-connected script face. Based on hand lettering, friendly and unique with its ability to transition from casual to formal, it holds its original hand drawn, slightly rough look and feel. It features 341 alternates which include two additional uppercase letter sets and hundreds of alternate lowercase letters, making it very versatile.
TTF | 1 Fonts | JPEG Preview | 4.2 Mb RAR
Umbria is a decorative display typeface ideal for use in titles, logos, magazines, posters, as well as short text paragraphs.
OTF | 2 Fonts | JPEG Preview | 4.2 Mb RAR
Systopie is inspired by stories where fears about dehumanized futures are shown.
OTF | 4 Fonts | JPEG Preview | 6.2 Mb RAR
A display typeface which is rooted in both classical form and the sharp edges of photoype lettering. The typeface looks back to the historic forms of French typefounder Jean Jannon for it’s base, as well as the curved terminals and weighty serifs of the work of William Caslon. The various interpretations of their work throughout history have been applied to give each letterform presence, stability and rigidity. Sharp phototype swashes culled from the logo for Emperor, a line of golf shoes released by Onitsuka Tiger thirty-plus years ago have been applied to give the face a timeliness of the Modern/Postmodern era, offsetting the historical skeletal frame.
OTF + Webfont | 1 Font | JPEG Preview | 1 Mb RAR
Since its initial release in 1989, Trajan has risen to international popularity as a distinctive and versatile display type family. Carol Twombly's sensitive interpretation of the Roman capitals inscribed at the base of Trajan's column in Rome serves as a testament to her skills as a designer, and to the craftsmanship of the ancient lettering artists who devised these elegant and enduring letterforms. Responding to requests from our customers for broader language coverage and for more weights, Adobe set out to extend the family. Principal Designer Robert Slimbach added Greek and Cyrillic as well as four new weights - two lighter than the original offering, and two heavier. The extended family now provides users with a range of six weights that vary in personality and function. Alongside his extension of Trajan Pro, Robert also created the Trajan Sans type family, which offers users a contemporary and stylish variation of the original seriffed design (see Related OpenType Packages link below).
OTF | 6 Fonts | JPEG Preview | 1 Mb RAR
This elegant copperplate typeface is somewhat different from others in the script category due its slightly condensed lowercase letterforms. With its beautiful, free flowing initial capitals and stunning array of lowercase alternatives, Young Baroque looks magnificent in word settings and is ideally suited for diplomas and citations. Created by the well-known American west coast designer Doyald Young.
TTF | 1 Font | JPEG Preview | 1 Mb RAR
Viddy this: when the Korova Milkbar became a global franchise in 2001, Typodermic Fonts had been commissioned to design their choodessny official display font. Tragically, the entire Korova chain has been recently acquired by Starbucks and they’re no longer using the Synthemesc font. Luckily, you can still shvat a chasha of moloko plus with synthemesc, vellocet or drencrom at any Starbucks.
OTF | 1 Font | JPEG Preview | 3.8 Mb RAR
has been said that a strong typeface is made stronger when it is applied to a thoughtfully considered composition. Helvetica, perhaps the strongest of all typefaces, even starred in its own film. But to every thing, there is a season, and we here at YWFT feel that for every beautiful, perfect Helvetica movie starlet, there is a twisted, long-haired, misfit smoking in the bathroom. And so we introduce you to YWFT QUE. YWFT QUE is a display font that follows a new design mantra: "Conservatively Absurd." It was developed to be the anti-Helvetica; to send a middle finger to legibility. It snarls at Times New Roman and dropkicks "the norm" out da building. YWFT QUE journeys into the unknown, where sometimes letters look nothing like they should, and kerning has a mind of its own. YWFT QUE will conquer any poster project, sex up any website and take your motion work straight to the top of the World Tango Championships. Simply put, it follows no rules. Why sometimes, it's even impossible to read. YWFT QUE was originally drawn as the handset ELSE (2009), designed by YouWorkForThem.
OTF + TTF | 2 Fonts | JPEG Preview | 1.3 Mb RAR
Tansy is an organic, modern and casual calligraphy font, made by hand. I've designed “Tansy” carefully with the intention to preserve in its glyphs the original textured appearance for a more personalized effect even more authentic. Tansy font has OpenType features such as Ligatures, Contextual alternates, swashes, stylistic sets and stylistic alternates that allows you to mix and match pairs of letters to fit your design. This will help your creativity and make it easier to make the impressive and elegant typographic work. This font is a perfect choice for greeting cards, posters, labels, t-shirt design, logos, and more. Tansy was made to make your project more beautiful and attractive! Have fun with it!
OTF | 1 Font | JPEG Preview | 4.2 Mb RAR
This is the rounded, softer version of Canada Type’s popular Press Gothic. Originally done in 2011 for a global publisher, this font has already seen plenty of magazine and book cover action, perhaps even more than the sharp condensed face that spawned it. And like Press Gothic, Soft Press comes with small caps and biform/unicase forms, in addition to the main upper/lowercase set. The extended language support covers a wide range, including Greek and Cyrillic, Turkish, Baltic, Central and Eastern European languages, Celtic/Welsh and Esperanto. The Pro version combines all three TrueType fonts into one OpenType-programmed font, taking advantage of class-based kerning, the small caps feature, and the stylistic alternates feature for the biform shapes.
OTF | 4 Fonts | JPEG Preview | 1 Mb RAR
Clinica Pro is a modern take on Swiss grotesques, with a little bit of an added personality. It features 8 weights, italics, 6 sets of figures, small caps and a bunch of ligatures. Still relatively neutral, it lets a brand stand out of the grotesque-crowded environment with support for multiple languages as well as Cyrillic script.
OTF | 16 Fonts | JPEG Preview | 4 Mb RAR
Neo Sans began as an intriguing assignment from a branding agency. The agency’s client wanted an “ultra modern” type family that was "futuristic without being gimmicky or ephemeral.” When a bureaucratic decision cancelled the project, Monotype staff designer Sebastian Lester decided to finish the design on his own. “I was left with a sketchbook full of ideas,” he said, “and thought it would be a shame not to see what came of them.” Lester decided that the principal ingredient of an “ultra modern” typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. By further amplifying these qualities, he crossed the line from modern to futuristic. Two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as “legible without being neutral, nuanced without being fussy, and expressive without being distracting.” Both the Neo Sans and the more minimalist Neo Tech families are available in six weights, ranging from Light to Ultra, with companion italics. Neo Tech offers a suite of alternate characters.
TTF | 12 Fonts | JPEG Preview | 3.9 Mb RAR
Meet Bookeyed Jack, Suzanne and Nelson! Bookeyed Nelson is a stand-up guy. He’s always reliable and does what you need him to do, with a number of alternative glyphs & ligatures to customize his appearance in any OpenType aware application. He enjoys spending quality time with his cousins, Bookeyed Jack & Bookeyed Suzanne. Nelson is your man. Bookeyed Jack is strong enough to command the page, yet he doesn’t complain when others get more attention. His handsome good looks were handdrawn with pointed pen in walnut ink. He adores books & music, posters & stationery and spending time with his stylish cousin Suzannne. Our darling Suzanne, she’s personable and flexible with a large number of alternative glyphs & ligatures to customize her appearance. A modern girl with vintage charms, she’s equally comfortable placed as center of attention or in a supporting role. Her stylish serifs were created with antique French nibs dipped in walnut ink. Suzanne (like her cousin Jack) loves books for adults & children, posters, stationery, weddings, gifts and sugary sour candy. Together they are a class act on posters, book covers, stationery, logotypes, you name it.
OTF | 1 Font | JPEG Preview | 3.9 Mb RAR
Bahn Pro FAMILY is a display font inspired by the old austrian bahn signs.
TTF | 3 Fonts | JPEG Preview | 4.3 Mb RAR
Volt is a display serif font family of four styles - Regular, Italic, Bold and Bold Italic. Face geometry is extremely angular with techno look expression. While the capital letters reminiscent Alert's caps, entire font has its own original look which is strong, dynamic, machine generated and can be widely used in publications and advertising.
OTF | 4 Fonts | JPEG Preview | 4.1 Mb RAR
Festivo Font Family is a handmade layered font which includes several textures, shadows. Different font types can be created using various combinations of Festivo Fonts and colors. All fonts of Festivo letters are created as hand-drawn design based on F.L. NO:8 Font’s Letters. The fonts No:16, No:17 and No:19 have the same metric and kerning structure than the other Festivo Fonts except No:18. So each one of these 3 fonts are a layer. But they can also be use as wide spaced fonts. No:18 is specific with its metric and kerning structure which was formed by No:17 but No:18 is its bold version. It was designed as a supplemental font. The fonts No:12 and No:15 can be used as shadows. This font family also includes a few ornaments. For your convenience, the files of the fonts were termed by their numbers. The various possibilities of the Festivo Font Family allows you to create a lot of great works such as posters, magazines, printings, t-shirts etc.
OTF | 19 Fonts | JPEG Preview | 7.2 Mb RAR
Flexline is originally a hairline typeface that can be bolded with its own stroke according to the user’s needs. When using a hairline font, which normally don't have a wide range of widths, people tend to stroke it looking for a more eye-catching advertisment or to emphasize a word in a text. The difficulty is that most typefaces are not designed to be stroked and in doing so people commit typographic crimes. This is not the case with Flexline. Flexline is a font created to be widened through its stroke. This happens thanks to its rounded endings, its great x-height and subtle unions that neither disappear nor become more pronounced.
OTF | 1 Font | JPEG Preview | 1.7 Mb RAR
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