Thirsty Script from Yellow Design Studio is a contemporary script conceived as a marriage of elements from vintage signage scripts, Wisdom Script, Deftone Stylus, and Lobster. The result is a typeface with a ‘new meets vintage’ vibe. It’s friendly with an edge...a mixture of retro script, modern sans serif, and a shot of caffeine. Features include six weights from Light to Black, shadow layers, old-style figures, contextual alternates (for a slightly more traditional feel), multiple language support, and a handy selection of ligatures and stylistic alternates.
SHADOWS: Add depth and pop to all six weights of Thirsty Script quick & easy by duplicating the text layer and switching it to Shadow. Color and offset to taste.
TIPS: Thirsty Shadows are nicely offset automatically, but this distance can be easily customized for all weights except Light (which is too skinny to offset further without edges peeking out). Includes ligatures that correct shadow overlap issues. In Illustrator set area type options to Em Box Height for proper shadow alignment. In Photoshop align shadows manually.
OTF | 12 Fonts | JPEG Preview | 6.8 Mb RAR
Filmotype Zephyr combines the elegant script capital forms with a classic condensed italic to create a smart and stylish typeface. Originally released in the early 1950s, Filmotype Zephyr has been meticulously redrawn from the original font filmstrips and has been enhanced to include a full international character compliment, automatic fractionals, ordinals, and a host of alternate characters in dynamic OpenType format.
OTF | 1 Font | JPEG Preview | 4.3 Mb RAR
KatieRose was designed by a calligrapher to have an elegant, handwritten feel, without the fussiness of traditional calligraphic scripts. Its fine hairlines and sculptural downstrokes are easily read at display and smaller sizes alike.
OTF | 1 Font | JPEG Preview | 10.3 Mb RAR
Kaili FY, an exotic typeface with crazy ligatures. Inspired by Indian scripts, this new font developed in two weights offers 825 singular ligatures and give designers many possibilities to set original layouts in an exotic style.
TTF | 2 Fonts | JPEG Preview | 1.3 Mb RAR
HWT Artz is the newest wood type to be cut at Hamilton Wood Type and Printing Museum. It was designed by venerable type designer Erik Spiekermann exclusively for his own print studio (P98a in Berlin), specifically to be cut into large size wood type. The digital version is being offered to the general public with proceeds of sales to benefit the museum’s ongoing operations. HWT Artz evokes bold early 20th century European poster lettering. The design itself is intended to minimize hand-finishing and thus production time with rounded corners rather than sharp interior corners that would normally have to be hand-finished. In keeping with the tradition of naming new Hamilton designs after key figures from the living history of Hamilton (and following Spiekermann’s tradition of four letter font names), Artz is named after Dave Artz- Hamilton Manufacturing retiree and master type trimmer.
OTF | 1 Font | JPEG Preview | 2.4 Mb RAR
The display typeface that is based on the shapes of traditional Chinese hieroglyphic characters. Designing the font for imitations in the Chinese style the author nevertheless demonstrates serious attitude and thoroughness using the table of keys of the regular Kaishu script. As a result the font looks stylistically authentic and genuine. The typeface was designed by Aleksandra Egorova, the young type designer from St. Petersburg, and released by ParaType in 2008.
TTF | 1 Font | JPEG Preview | 1 Mb RAR
Gionni was designed by Cindy Kinash. This is a hand drawn, tall, light, thin retro inspired font.
OTF | 1 Font | JPEG Preview | 1.1 Mb RAR
OTF | 2.26 MB
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Spiderlegs is a tall, handwritten typeface. It comes with Babylonian language support, contextual alternates and some pretty unique styles.
An informal sans serif typeface carefully cut from the template of Regan and Regan Slab. Smooth curves are combined with simple angles to form a modern, legible font with a charming personality. Regan Alt is ideally suited to wide range of applications including advertising, fashion, retail and the web. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.
TTF | 20 Fonts | JPEG Preview | 3.6 Mb RAR
Centim is contemporary sans with sharp top endings of stems that give a bit technical charm to typeface. With a squarish look, it can be used widely in all modern publications or become a part of an corporate identity. In smaller sizes, Centim offers good readability due to its simple and good balanced lines. Centim is available in Regular and Bold weights, as an ideal high-contrasted combination where all characteristics of the typeface are purely effective. Centim is the archaic Serbian word for Centimeter, a word that was mostly used in tailoring during XIX and XX century.
TTF | 2 Fonts | JPEG Preview | 4.9 Mb RAR
Mr Lucky is Mr Happy's slab brother and a hand-drawn narrow typeface designed for one of our books. You can layer different styles over the background style to achieve lots of colorful effects. Use just one style to get a single color letter or set Fill over Background or Stripped Background to get a two color mode. Mr Lucky has upper and lowercase characters with up to three alternate glyphs and special alternate uppercase diacritics. Build in OpenType Contextual Alternates feature will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers). The script doesn’t throw random glyphs. For example in the word “HIPPOPOTAMUS” you will automatically get three different “P” glyphs and two “O” glyphs. It really works great but of course you can always fine tune it by hand.
OTF | 7 Fonts | JPEG Preview | 5.9 Mb RAR
OTF | 21.55 MB
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Input is a flexible system of fonts designed specifically for code by David Jonathan Ross. It offers both monospaced and proportional fonts, all with a large range of widths, weights, and styles for richer code formatting..
AZ Cupcakes is a special Font for Cupcakes bakery Designs and for all Fans of Cupcakes. It comes in Creamy Design an with many sweet and sugar Graphics.
OTF | 5 Fonts | JPEG Preview | 4.7 Mb RAR
Mustang is a powerfully expressive brush font that combines an edgy urban aesthetic with a smooth feminine flow. Some have suggested that Mustang is romantic. Some say it has something to do with speed or freedom. While precisely what Mustang expresses is up to debate, there’s no doubt that it’s expressing it with intensity. The style was born in my high school years, when I would wreck my notebooks with multiple layers of graffiti tags which would start in the margins and then creep in to cover the entire page. I developed a sensibility towards a very fast, expressive use of my hand, which later easily and naturally translated into brush. I used this style typographically on several projects throughout the years, and even turned it into a signature illustration style. Mustang is the second font, after Streetbrush, to use this brushwork as its inspiration. Mustang will be especially evocative at large sizes, where the details and sharpness of the shapes really come to life. It also holds together well for use as body copy, but may lose some of its aesthetic integrity at really small sizes.
OTF | 1 Font | JPEG Preview | 1.3 Mb RAR
Hailing its roots from the much-prized Modern Didot and Bodoni families of the late 19th century, Pyes Pa re-introduces the intuition of calligraphic script while utilizing the contrast available to contemporary digital fonts to produce a highly refined alternative for those of us who are bloody serious about our Bodoni Poster Italics. Pyes Pa features automatic OpenType ligatures and contextual alternatives.
OTF | 3 Fonts | JPEG Preview | 1.5 Mb RAR