Winco family can be labelled a humanist sans-serif, but in spirit it is more closely related to that rather rare typeface category called ‘glyphic’ or ‘incise’. While conceiving Winco, Ramiro Espinoza studied the work of the masters of postwar book cover design: Helmut Salden, Boudewijn Ietswaart, Berthold Wolpe; among others. He also looked into German and Czech traditions of expressive printing types that had such a strong presence in the earliest decades of the 20th century. Having established a stylistic framework, Espinoza designed the typeface from scratch. This allowed him to create an original, typographically consistent and versatile family in five weights, from Light to Ultra Black. The process has resulted in a typeface that successfully combines the high legibility and seriousness of a text face with the expressiveness, dynamism and subtle irreverence of the original hand-rendered alphabets. Winco is a versatile family whose extreme weights – Light, Black and Ultra Black – make for striking headlines, while the middle weights work well in both display and text settings. Produced as CFF OpenType fonts, all weights come with small caps and multiple numeral sets, including superscript, subscript and fractions, alternate glyphs and ligatures, making Winco a typographically sophisticated family suitable for a wide range of editorial and corporate work.
TTF | 10 Fonts | JPEG Preview | 10.1 Mb RAR
OTF | 1.08 MB
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Emmy is the second family from this up and coming foundry. A versatile font, Emmy has many different styles to suit your needs. Easy to read and fun to use...it’s perfect for a children’s book, logo or other cool design project!
We destroyed our fonts and create a new collection with our best-sellers types.
OTF | 11 Fonts | JPEG Preview | 10.4 Mb RAR
If you’re searching for a new sans-serif, here is Wes FY! This font is a modern geometric grotesk reminding of Paul Renner’s Futura. It has a large x-height and tight letter-spacing, and comes in five weights from Thin to Black. While the extremes are definitely intended to large sizes usage, the intermediate weights will be well suited to text setting at smaller sizes.
OTF | 5 Fonts | JPEG Preview | 5.1 Mb RAR
One of the most remarkable characteristic of this humanistic sans serif is its versatility. Ronnia’s personality performs admirably in headlines, but is diffident enough for continuous text and small text alike. The heavier weights deliver very cohesive shapes, and they have been successfully used for branding and newspaper headlines. Its ten styles grant the designer a broad range of coherent color and texture variations in text blocks, necessary tools to solve complex information and editorial design problems. Ronnia has been mainly engineered for newspaper and magazine applications manifested in its properties: economic in use, highly legible, and approaching the reader with some friendliness and charm. Ronnia features about 800 characters per weight, including small caps, fractions, old style and lining numbers, scientific superior/inferior figures, and a set of symbols and arrows. It supports over 40 languages that use the Latin extended alphabet. Ronnia Basic is a reduced version of Ronnia. It is still an OT-font but without any particular features except of a set of ligatures, class-kerning and language support including CE and Baltic.
OTF | 14 Fonts | 3.8 Mb RAR
OTF | 128 KB
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Lunga is a wonderful condensed font. It was designed to be a legible type. It has lots of decorative glyphs and ligatures which were possible thanks to the open-type format!Lunga Real Ligada is the most complete style. The Open Type format contains all the ligatures and alternates. It also contains the SMALLCAPS function.Lunga Exacta has the right quantity of glyphs. The necessary ones if you are not a ligature lover. .
Signque is an elegant and modern sans serif typeface. The contrast between curves and straights but also between open and closed contours gives the typeface a very fashionable and distinctive appearance. Signque is designed as a headline typeface and is applicable for any type of graphic design (web, print, motion, etc.). The signque type family includes extended Latin characters, standard and discretionary ligatures, figures and oldstyle figures, fractions, ordinals and superscript figures. It is available in thin, light, regular, medium, bold and black weight.
OTF | 6 Fonts | JPEG Preview | 4.4 Mb RAR
Woolen is a hand-inked & italicized serif, based upon a 17th century type specimen by Jean Jannon. Many of the capital letters are decorated with subtle sprigs and leaves, while the lowercase letters remain classically styled, giving the font a warm and natural look with just the right amount of dignity. Woolen is perfect for logos and branding – she shines in retail identities, particularly for farms, markets, and restaurants. Even though the font is slanted, it reads beautifully as body text and display headlines. Multi-language support is included in the font.
OTF | 1 Font | JPEG Preview | 5 Mb RAR
A finely crafted sans serif typeface with an uncomplicated appearance. Soft curves are mixed with minimal angles to create a readable font ideally suited for identity, editorial and online uses. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.
TTF | 20 Fonts | JPEG Preview | 5.6 Mb RAR
The Russian word Мир (Mir) means both World and Peace. The rendezvous of the two terms seems quite unique and utopistic today, but it is comforting to see that it was natural at some time deep down in Russian history. Bits of both meanings were going through my mind while I was designing this typeface. Mir’s character set is multiscript – Latin, Cyrillic and Greek – and extends to many parts of the linguistic world. In fact it covers more than 100 languages. Stylistic consistency between the language systems make typographic border crossings painless even where national borders are still closely guarded. And in regions where mathematics, physics or chemistry are to be expressed, a rich set of OpenType features lets Mir master also these situations. Serious things are best be said in a relaxed, unpretentious way. So Mir doesn’t put on a show. Mir has authority without being authoritarian, it is serious but not stern. It can explain difficult things and stay calm and down to earth at the same time. Mir Medium has another useful feature: It can be freely downloaded and used by anybody anywhere. You can test the Mir Family with free Mir Medium and get more styles when you need them.
OTF | 6 Fonts | JPEG Preview | 6.3 Mb RAR
Klef is a highly legible, geometric text and display font. Inspired by classic sans-serifs Futura and Avant Garde, this elegantly minimal typeface is available in a comprehensive family of seven weights. Klef features an expanded character set to include Central European accented characters in addition to the usual Western European characters. A highly versatile, contemporary sans-serif, Klef is suitable for more-or-less any text or display purpose.
OTF | 7 Fonts | JPEG Preview | 5.3 Mb RAR
OTF | 107 KB
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Part of the Shades collection of two-color fonts, Knox is a hearty dimensional letter in the “Grecian” style.When typography turned burlesque in the beginning of the nineteenth century, one of the first stylistic idioms typefounders explored was the dimensional letter. Metal and wood types of the period are rife with bevelled, faceted, and shadowed letters; for Knox, we applied the faceting of Alexander Nesbitt’s 16 Line Pica Octagon wood type (1838) to our own Acropolis typeface.
The branding agency's client wanted an "ultra modern" typeface that was "futuristic without being gimmicky or ephemeral," according to the design brief. Designer Sebastian Lester took on this intriguing custom font assignment, but soon, a bureaucratic decision cancelled the project. "I was left with a sketchbook full of ideas and thought it would be a shame not to see what came of them," says Lester. He decided to finish the design on his own. Lester's research confirmed that the principal ingredient of an "ultra modern" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. To conceive a typeface that crossed the line from modern to futuristic, Lester decided to amplify these qualities. About a year after Lester's initial conceptual work, two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as "legible without being neutral, nuanced without being fussy, and expressive without being distracting." Both the Neo Sans and the more-minimalist Neo Tech families are available in six weights, ranging from Light to Ultra. Each has a companion italic, and Neo Tech offers a suite of alternate characters. While engineered to look modern as tomorrow, Neo Sans and Neo Tech display the functional and aesthetic excellence that earns them a place in the list of classic designs from the Monotype typeface library. Neo is a trademark of Monotype Imaging Inc. registered in the U.S. Patent & Trademark Office and may be registered in certain other jurisdictions.
OTF | 12 Fonts | JPEG Preview | 4.3 Mb RAR
Go back to a time when the Mediterranean coastline was truly glamorous, when stylish women and men in wire-framed glasses listened to Domenico Modugno songs on the radio while sipping wine in sidewalk cafes. A relaxing summer’s day, a gentle sea breeze, taking the time to write a postcard to your loved ones in your best handwriting. The 1950’s may have come and gone, but the elegance and simplicity of that classic style has not, Mina keeps the feel of calligraphy, the long connections between letters is elastic, the clean, thin lines, it is a relaxed cursive ideal for logotypes, titles, and lettering. There are eleven Mina font styles and many loops to choose from to customize any letter. Bring the seaside glamour of a bygone era to your projects of today with Mina. Ranging from light to heavy, Mina Calligraphic, and Mina Shadow, this family of fonts work perfectly separately but you can also achieve beautiful results when combining them.
OTF | 15 Fonts | JPEG Preview | 16 Mb RAR
Miller, designed by Matthew Carter, is a “Scotch Roman”, a class of sturdy, general purpose types of Scottish origin, widely used in the US in the 19th century, but neglected since and overdue for revival. Miller is faithful to the Scotch style though not to any one historical example — and authentic in having both roman and italic small caps, a feature of the originals; Tobias Frere-Jones and Cyrus Highsmith added to the series. Among other uses, Miller is recommended for Newspaper, Magazine, Book, Web and Corporate use.
OTF | 7 Fonts | JPEG Preview | 6.7 Mb RAR
Inspired by art deco posters from the period between WWI and WWII, Lumier comes in 3 weights with the proportions of a modern sans families.
OTF | 3 Fonts | JPEG Preview | 4.6 Mb RAR
The design of type Meeneralca 4F was inspired by the logo of the mineral water Borjomi from Georgia. The word “Meeneralca” is the short (slang) version for “mineral water”.
OTF | 1 Font | JPEG Preview | 4.5 Mb RAR
OTF | 1 MB
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Rama Gothic is an antiqued sans serif, the design inspired by 1800s-style wood type. All glyphs have been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 18 styles will be the best solution for posters, titles and anywhere you need impact.To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, -r- has its alternative glyph that can be used with OpenType salt feature.
After Bird Script's ballet, Sproviero comes with these fast strokes, resulting in a font full of life and a youthful spirit— hence its name: Live. “Brush lettering is to me the most beautiful way to express your feelings at the moment of writing” [...] “The way ink stands and sometimes bleeds on the paper makes the brush my favourite tool”. The aim of Live was again to see how far calligraphy & lettering could dive into the world of type-design. The font is perfect for logos, posters, magazines, perfumes and all pieces of design related to music, and the feminin world. You can also have a lot of fun with Live More, which contains a set of pre-designed catch words and lovely ornaments.
OTF | 3 Fonts | JPEG Preview | 5.7 Mb RAR
Maestrale is a paradigm-breaking new take on calligraphy, built around a compact, serif-style core and outrageously long, flamboyant extenders. At large sizes, its confident, charismatic lettershapes are ideally suited for branding and decorative uses, whereas longer texts at smaller sizes naturally weave themselves into a flowing texture. The font comprises 1299 glyphs, including many stylistic alternates, ligatures, small capitals, and initial, terminal, and linking forms, and offers extensive OpenType programming to support them. The calligraphic form of Maestrale is complemented by a matching text font (Maestrale Text) with short extenders, available in three cuts (a serif-style Roman, an upright Cursive, and a tilted Italic).
OTF | 5 Fonts | JPEG Preview | 5.1 Mb RAR
MB Empire is a font that like MB vintage has its roots in early 20th century design, It has a distinctly english feel with its style references to the classic Gill Sans. It has a very traditional look whilst still maintaining its own modernist individuality. It comes in six weights with italics and has extended language support. With many opentype features including oldstlye & lining figures, automatic fractions and more its a font family that will work for almost any application.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
Throughout time, history’s architects have incorporated some of the finest illustrations of type into their great works--cuneiform on Mesopotamian ziggurats; Greek etched into the temples of the gods; inscriptions marking the monuments of mighty Rome. From these Roman inscriptions specifically, we take our capital letters of today; and while we've lost the need for serifs over time, our current characters maintain the classical foundations, even after being distilled to their simplistic forms. Here’s where we have the basis for Le Havre Titling. This updated face is a carefully optimized version of Le Havre that uses purely capital lettering. Originally inspired by the golden period of the passenger ship and the French port that bid a rich bon voyage to so many famed, luxurious ocean liners of the Roaring Twenties and Thirties, the typeface includes an exciting array of ligatures that brings it into the present day and gives designers a tremendous amount of versatility in their work. With its seven weights, Titling looks equally at home on the side of a building as it does in a finely crafted invitation. With over five hundred glyphs, Le Havre Titling offers a multiplicity of options for your projects. Combine ligatures, play around with two sets of art deco forms, use original caps, and more; every one of these is obtainable with the OpenType functionality. The new design also shares five weights with the original Le Havre, allowing you to maximize your potential through its interchangeability. Titling’s Thin weights are delicate but not too fragile, and its geometric forms give each individual composition you create an exquisite and beautiful sense of emotion. Without a doubt, this fresh, fashionable take on the classical forms offers your reader refined, yet unanticipated approach as he or she travels through your text.
OTF | 7 Fonts | JPEG Preview | 4.16 Mb RAR
The La Chic family comes loaded with an extended character set of 575 glyphs covering a range of languages and alternate versions of letterforms for display use. La Chic’s Ligature feature comes with the standard fi and fl ligatures, as well as ff, ffi and ffl ligatures. La Chic Pro’s Stylistic Alternates feature adds a little more flair to the mix with mildly flourished Capitals, scripted so that when typeset in all caps, only the first Capital will be flourished to preserve readability and avoid unsightly collisions. La Chic Pro’s Stylistic Alternates feature also includes automatic Initial & Final lowercase letterforms that will automatically swap to avoid any letter collisions as you type. La Chic’s Swash Alternates feature takes the flair even further with elegantly flourishing Capitals, also scripted so that when typeset in all caps, only the first Capital will be flourished to preserve readability and avoid unsightly collisions. The complete lowercase is also substituted for a flourishing lowercase set. By enabling BOTH the Stylistic Alternates and Swashes features, automatic Initial & Final lowercase letterforms that will automatically swap to avoid any letter collisions as you type including the flourishing swashes lowercase. But there’s still more style and flair yet. All features have Special Titling Swap-Out Ligatures for the following words “and”, “of”, “at”, “from”, “by”, “and the” when typed in Parenthesis (whether typeset in Capitals or lowercase). All features also include a small batch of Special Long Flourish characters enabled by typing an underscore after each letter (IE: H_, L_, t_ ,and w_). And there’s STILL MORE. 51 additional letters not blended into any of the Opentype features are accessible by way of a Glyph map in compatible programs and/or system options to customize your La Chic designs even further.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
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