Let’s face it: a lot of us are writing on virtual instruments for virtual instruments, and while following the traditional rules of orchestration and composition is a fantastic approach, not everything translates; not everything works. In this class, I’ll show you how I handle this unusual beast – what I avoid trying to do virtually, how I approximate certain otherwise-impossible effects. We’ll talk about ways to layer and supplement parts, how to manage a template, combine different sample libraries, and more!