Writing music is one thing; writing music to picture is another. In this class I’ll be talking about strategies for thematic development within film structure, handling cue entrances/exits and transitions, techniques for orchestration in and around dialog/sound effects, working with temp tracks, and more. Plus I’ll give you some of speed-writing scoring tips for getting scenes cued and mapped out under the gun, as we look at before-and-after examples from several real-world projects.